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5. Charnett Moffett, “The Bridge: Solo Bass Works” (Motema): From Duke to Mingus to spirituals to Sting: 20 tunes, nothing but solo acoustic bass. This album is a lesson in concentrated vision, in charisma, power and out-of-the-box thinking. You get a sense of why so many band leaders (Wynton Marsalis, McCoy Tyner, Ornette Coleman, Sting) have called on Moffett since he was a teenager. 6. Aaron Diehl, “The Bespoke Man’s Narrative” (Mack Avenue): An impeccable pianist with deep roots in the tradition, Diehl’s a radical-retro young guy spearheading a quartet that bespeaks excellence. This music wouldn’t exist without Duke Ellington and Ahmad Jamal, the MJQ and Wynton Marsalis, but its elegance and precision, and its spontaneous combustions, are all its own.
7, Miles Davis, “Live in Europe 1969: The Bootleg Series Vol, 2” (Columbia Legacy): This is the so-called “last great quintet,” with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette, In hindsight, electric Davis and his bandmates were avant-gardists ballet shoes drawing — with street cred, Crazy, churning, fantastic sounds on these three discs, plus DVD, 8, Eric Revis, “City of Asylum” (Clean Feed): More than Branford Marsalis’ bassist, Revis is among the most broad-minded of jazz musicians, This date with pianist Kris Davis and drummer Andrew Cyrille is stunning; it quickly/quietly sucks you into its free-jazz vortex..
9. Nicholas Payton, “Sketches of Spain” (BMF): The trumpeter reinterprets the Miles Davis/Gil Evans classic, performing the suite with his band and members of the Sinfonieorchester Basel, conducted by Dennis Russell Davies. Payton is the trumpeter of the day, a virtuoso and a risk-taker. You never know what he’ll do next — what mood he’ll conjure, what effect he’ll tease from his horn. 10. Jamie Baum, “In This Life” (Sunnyside): You listen and sense the flutist/composer’s wide-ranging influences: music of North Africa and South Asia, Zappa, minimalism, funk, the impressionism of Gil Evans. She musters them into sleek and raucous new grooves, beautifully arranged for her septet (which expands on some tracks to as many as 11 players). The superb soloists include trumpeters Amir ElSaffar and Taylor Haskins, pianist John Escreet and Baum herself. There’s freshness and excitement here.
Some who lived or rested there included artists Christo and Jeanne-Claude, Claes Oldenburg and Robert Mapplethorpe; American Communist Party leader Elizabeth Gurley Flynn; writers William S, Burroughs, Brendan Behan and Jack Kerouac; prankster Abbie Hoffman; musicians Bob Dylan, Janis Joplin, John Cale, Joni Mitchell, Leonard Cohen and the Grateful Dead, Composer and critic Virgil Thomson lived there nearly 50 years, Choreographer Katherine Dunham was booted after bringing ballet shoes drawing a pair of lions upstairs for dance rehearsal, Arthur C, Clarke wrote “2001: A Space Odyssey” there..
Sure, the notion of the traditional “record album” is gravely wounded. Yet with a little patience and persistence, listeners can still find plenty of platters that matter from start to finish. I found quite a few this year, even though it was a strange year in music. Many of the most heavily hyped records, from such artists as Arcade Fire and Vampire Weekend, weren’t all that good. In addition, it definitely wasn’t as strong a year for hip-hop as 2012, although many of the genre’s biggest artists (Jay Z, Kanye West, Eminem, Lil Wayne, etc.) delivered new albums.
The newcomers picked up the slack, with several debuts ranking among the year’s best albums, Here are my Top 10, 1, “Pure Heroine,” Lorde (Universal): You’ve probably heard the smash “Royals,” which was the best single of the year, but hopefully you won’t stop there, Let that tune lead ballet shoes drawing you into the New Zealand singer-songwriter’s full-length debut, and you’ll find nine other cuts that also are quite mesmerizing, Lorde makes music that is equally artsy and catchy, distancing herself from most of her contemporaries on the pop charts and drawing comparisons to such all-time greats as Björk and Tori Amos, “Pure Heroine” is such a shockingly mature and fully realized artistic statement that it’s amazing to think its author just turned 17 last month..
2. “The Bones of What You Believe,” Chvrches (Virgin): It’s the best synth-pop album in years, filled with enough anthems to ensure that Chvrches is a dance-club favorite for years to come. At last count, this Scottish trio’s debut had produced three solid singles (“The Mother We Share”, “Recover” and “Gun”), but that could represent the tip of the iceberg. The grooves are retro, recalling Erasure, Giorgio Moroder-era Donna Summer, the “Rapture” of Blondie and Yaz, and the lyrics absolutely sparkle.
3, “m b v,” My Bloody Valentine (m b v): It’s not the second coming of “Loveless.” That’s a shame, in a way, since that 1991 outing stands as one of the greatest rock records of all time, It took My Bloody Valentine 22 years to finally deliver a follow-up to “Loveless,” resulting in a work that takes the band in fascinating new directions, The “wall of sound” is still there, but it’s built less on jet-engine guitars and more on nuance, Yet it’s still captivating, standing as a record that ballet shoes drawing will give the listener more with each spin..