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When St. Vincent‘s Annie Clark takes the stage splattered with what looks like gore — the red showing violently against her white dress and brilliant white hair — she wants your eyes, not your phone, looking back at her. Before audiences hear any music on Clark’s current tour in support of her self-titled fifth release, they are greeted by a calm robotic voice: “Please refrain from digitally capturing your experience,” it says. What follows is a manic and theatrical performance that tempts you to pull your phone out of your pocket. Despite the polite suggestion, maybe you could snap a few photos of Clark standing atop a menacing Apple Store-esque pedestal, and record a minute or two of her blistering guitar solo. Why not capture the experience and share it with friends, family, acquaintances, Twitter followers? But Clark doesn’t want you staring at a screen, she wants you in the moment.
“For me as a performer it’s nice to look out and see people’s faces instead of the Apple logo, which I see enough of in my day,” said Clark, grishko pointe shoe size chart “It’s a gentle reminder to be present … let’s all share this experience together.”, An extension of the themes on her critically acclaimed new album, Clark’s vision for this experience is influenced by artist Jim Hodges, the Memphis Design Movement and the “near-future cult leader,” to name a few..
“In this case I was going for something that felt like a fever dream, and that was a little bit about the supernatural and the subconscious narrative we have with shapes and movement,” Clark said. On stage, the soft-spoken Clark takes on a frenzied persona. Her eyes wide, she trades geometric guitar solos with her own vocals. She’ll dance like some crazed puppet then lounge on stage, singing a ballad as if in some Orwellian night club. This live performance — like her choice to self-title her most recent release — shows Clark’s growing artistic clarity. Beginning her career as a member of the Polyphonic Spree, then touring with Sufjan Stevens, Clark released her first album as St. Vincent in 2007. Through five St. Vincent albums and one collaborative album with the Talking Heads’ David Byrne, Clark has solidified her own style. And to produce such maximalist art rock takes a balance of confidence and the ability to self-critique.
“Part of the writing process is learning to both turn off your inner critic and also hone your skills of discernment,” Clark said, “There’s a time in writing when you just charge full speed ahead and whatever comes out comes out, and it’s just about creation, creation, creation, And the next part of that phase is refining.”, This creativity is something that everyone is born with, Clark said, but to harness it takes nurturing, “I think all human beings are creative,” Clark said, “I think it’s a grishko pointe shoe size chart shame that we don’t get encouraged to explore that as much as we could.”..
This year’s topic was “Books and Technology: Friends or Foes?” It should be interesting to hear if the authors of the program’s two main books, “Mr. Penumbra’s 24-Hour Bookstore” by Robin Sloan and “The Shallows: What the Internet is Doing to Our Brains” by Nicholas Carr, think the past two months of activities have uncovered any answers. In addition to both authors returning to Silicon Valley to talk with De Anza College President Brian Murphy, the 1:30 p.m. program will include the announcement of the winners of the Cupertino Library Foundation’s essay and poetry contests. Forty-three adults and teens entered the essay contest, which was the most entries in the contest’s six years, and there were 50 entries for the first year of the poetry contest.
The festival, which was organized by the Bay Area Youth Vaishnav Parivar community center and temple to celebrate Holi, with four different events across three weeks, attracted more than 1,000 people throwing colorful powders on one another to the thumping beat of a disc jockey, A “Holikotsav” was held on March 16, a religious fire ceremony, the “Dhuleti,” held on Saturday, another religious ceremony, the “Dolotsav” on Sunday, and the festival grishko pointe shoe size chart will end with a folk dance performance, “Garba” at the Milpitas Sports Center, 1325 E, Calaveras Blvd., on the evening of March 29..
Saturday’s “Dhuleti” included families and friends covering their clothes and skin with vibrant colors, drinking and eating traditional fare, and dancing to music produced with a drum and from a live DJ. Holi celebrates the change in season and is considered a celebration of good over evil, said Mruduta Mervana, one of the organizers. The story behind the festival is as follows: “There was a king who had a son who worshipped Lord Vishnu (a Hindu deity), and he didn’t like that, he thought he was God and everybody should worship him, so he ordered his son to be killed in a fire, but Lord Vishnu saved him because he was his devotee and in turn killed the evil king, that is one reason for the festival, and also why the bonfire is lit up,” Mervana said.
“The other reason, is that the colors that are played with are the colors of spring, Lord Krishna (another Hindu deity) asked his mother why he was dark and the girl he loved, Radha, was fair, and so his mother, Yashoda, told him, ‘Why don’t you put some color over her face and she will become like you,’ and he took her seriously and started playing with colors (as a prank), So that became a grishko pointe shoe size chart tradition that every year people would play with colors on that day.”, Mervana said that the event was really fun, and continues to see an increase in attendance, as the festival becomes more popular with Indian-Americans in the region..