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“Johnson’s interest in the balance of opposites is evident throughout the Glass House campus,” said Glass House director Henry Urbach, who was architecture curator at the San Francisco Museum of Modern Art before taking the helm of the Glass House historic site in 2012. “With Nakaya’s temporary installation, we carry this sensibility to its endpoint while allowing the unique magic of the Glass House — the dream of transparency, an architecture that vanishes — to return again and again as the fog rises and falls.”.

The installation, about an hour’s train ride north of New York City, is part of a larger effort by Urbach, Other new initiatives include overnights in the Glass wedding ballet flats House; performances, readings and art exhibitions on the grounds; self-guided tours; and commissioned works, such as this one, involving the house itself, Johnson’s home in New Canaan, a village that includes almost 100 important modernist structures, was a center of art and architecture during the 1950s and ’60s, Built in 1949, the Glass House was home to Johnson and his partner, art dealer David Whitney, until 2005, Johnson was the first curator of the Museum of Modern Art’s architecture department, and a friend and associate of Alfred Barr, the founding director of MoMA, Cutting-edge artworks and architectural concepts often made their debuts at the Glass House before being exhibited in Manhattan..

“Veil” is Nakaya’s first major work on the East Coast. From inside the silent sleek residence, seeing it enveloped by undulating fog feels at times like being inside a sort of three-dimensional time-lapse movie. From outside the house, or from the hillsides below or above the structure, however, the effect of the installation is completely different, and it’s ever flowing and changing depending on the weather. “I look for the very best stage for the fog to perform. Then it’s at the mercy of the wind,” said Nakaya, whose father, Ukichiro Nakaya, was a physicist credited with making the first artificial snowflakes. Before experimenting with fog, she had “painted” clouds.

“I wanted only water, no chemicals, and a nozzle that could make extremely tiny droplets,” she said, After extensive research, she found California cloud scientist Thomas Mee, who was trying to produce fog to help protect crops during early frosts, Although she said the wedding ballet flats chemical-free fog nozzle system proved too expensive for agricultural use, Nakaya has been using a version of it for decades to produce her fogscapes, Her 50-plus fog installations have included ones at the Guggenheim Museum in Bilbao, Spain, fountains at the Grand Palais in Paris and bridges around the world..

The 49-acre Glass House grounds, a National Trust Historic Site, also feature modernist outdoor sculptures, a brick house (designed as a counterpoint to the glass one), two art galleries, a small modernist swimming pool and a Greek-style neoclassical pavilion that appears to float on a pond. Shuttles to the grounds depart from the Glass House offices opposite the New Canaan train station. Tickets must be purchased in advance (www.theglasshouse.org). Guided and self-guided tours are available. The Glass House is closed Tuesdays and Wednesdays.

Smack dab right in the middle of the whole thing was an incredible “Macy’s Stars of Dance” that was a salute to classic Hollywood with a brilliant mixture of fun and footwork, thanks to the guidance of Derek Hough, Enough of the weird dance features like the “duels” and “switch ups,” and questionable guest judges — that was you, Abby Lee Miller! Tonight was the semifinals and it was all dancing, all the time, The guest judge was Kenny Ortega, Emmy-winning wedding ballet flats choreographer and producer known for “High School Musical” and his work with Michael Jackson, The couples took on two dances each to determine who would be in the Final Four and who would shuffle off the dance floor tonight..

For me, one of the biggest stunners was after Candace Cameron-Bure and Mark Ballas did a Viennese waltz that came apart in a couple places for Candace when her nerves got the best of her. Head judge Len Goodman pointed out the few mistakes, judge Bruno Tonioli told Candace that when she makes a mistake, to “cover up and carry on.” Judge Carrie Ann Inaba urged her to come back in her second dance. Scores: Carrie Ann, 8; Len, 9; Kenny Ortega, 9; Bruno, 8 for a total of 34 out of 40. I should have known that something was up when host Tom Bergeron kept the pair on the dance floor. Following the judges’ critical comments and scores, there it was — Candace and Mark were declared safe to dance in the final. Incredible! How did that happen? Usually in the lower part of the leaderboard during the season, it sounds like Candace’s fan base finally woke up, or maybe the fans of Danica McKeller, who was eliminated last week, shifted their votes to the other former sit-com star, Candace.

I thought for sure that Candace would be out tonight, but that wasn’t the end of the shocking surprises, There stood Amy Purdy and Derek Hough next to wedding ballet flats Charlie White and Sharna Burgess while Tom read the next set of results, Both couples were in jeopardy! What! Charlie and Sharna had a perfect score last week for their quickstep, for Pete’s sake! And Amy and Derek had the same super score for last week’s Argentine tango, Are viewers thinking that some celebs are locks to make the finals so they are not voting??..