Super Dance Shoes
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• • • • •. TREES, PLEASE: When you’re ready to say good-bye to the Christmas tree at last, the good folks at West Valley Collection and Recycling will gladly take it off your hands. You need only put it out on the curb on your usual collection day (don’t stash it in your yard waste cart) between now and Jan. 24. All trees must be free of tinsel, stands and nails (flocking’s fine), and must be cut into lengths of 5 feet or shorter. Limit of two trees per residence. Contact WVCR at 408.283.9250 or visitwestvalley recycles.com for details.
• • • • •, ITALIAN STYLE: Downtown stores were bustling during the holidays, especially during the extended shopping hours on Thursday evenings, Lorenzini, the new men’s boutique, is still offering fine casual clothing, shoes and accessories, The store has had a very successful run in San Francisco for super dance shoes the past three decades, and now brings the best of European style to sharply dressed men in Los Gatos, You’ll find the shop two doors down from Athletic Performance, in the former Baby Buzz location, at 35 W, Main St..
• • • • •. DANCING QUEEN: Young Los Gatan Lauren Powers, who is a level 4 student at Ballet San Jose School, is collecting gently used ballet apparel, which she plans to donate to the Dance for All School in Cape Town, South Africa. Lauren, who was just seen in BSJ’s production of Karen Gabay’s The Nutcracker, was inspired to organize the clothing drive after watching the HBO documentary Ghetto Ballet, which tracks the progress of members of a dance troupe that hails from one of Africa’s poorest locales. Those with ballet togs to donate should contact Ballet San Jose’s school office at 408.288.2820, ext. 223, or email@example.com.
In a talk titled “California Apricots—The Lost Orchards of Silicon Valley,” author Robin Chapman will weave stories and local photographs of the orchards into her narrative, Chapman’s book will be available for purchase after the event and she will autograph copies, The free lecture takes place 7:30 p.m, at the Immanuel Lutheran Reception Hall, 14103 Saratoga Ave, in Saratoga, The event features contests, refreshments, a photo booth and a silent auction, A DJ will spin tunes while a dance super dance shoes instructor demonstrates steps from the ’50s through the ’80s..
It didn’t, and it won’t, though Nakamatsu and Manasse — a touring duo since 2004 — will return to the South Bay in March for their own program at the Montalvo Arts Center. As for Sunday’s show at Le Petit Trianon in San Jose, well, 340 people were lucky to have been there. It started with Nakamatsu and Manasse on stage and ended with the duo at center stage once again. Conceived and conducted by music director Barbara Day Turner, the night was a series of musical highs and of symmetry.
It began with a world premiere: Pleasanton-based composer Michael Touchi’s “Gallarda.”, Mathematically-minded Touchi describes it as “a covariance for clarinet and piano with bass clarinet, timpani and strings.” But this work of dancing lyricism is super dance shoes basically a double concerto, composed for Manasse and Nakamatsu, who played with fire and finesse throughout its 17 minutes, As ballast, Touchi has given special prominence to bass clarinet (the excellent Karla Avila) and timpani (Mark Veregge, among the Bay Area’s best percussionists)..
Those instruments toll the work’s opening; a hint of foreboding. But the piece soon jumps into dance mode: “Gallarda” refers to a Spanish dance of the 16th and 17th centuries, and Touchi here explores a flamenco “siguiriyas” rhythm: a 12-beat cycle that dips and sways, leaps and surges. Seamlessly composed with quicksilver clarinet-piano passages, reflective piano interludes where time nearly stops, and a steady varying of instrumental combinations and effects through the ensemble, the piece maintains its advance. Toward the end of Sunday’s performance, with each successive harmonic modulation, there was an uptick of excitement, as if Day Turner and her orchestra were a dance troupe climbing a grand stairway in a movie by Almodóvar.
Touchi’s exciting work was followed by Mozart’s Clarinet Concerto, As super dance shoes Day Turner set a brisk tempo for the Allegro, Manasse began his playful and pleasure-filled performance, feinting toward the strings, practically flirting with them — like a puckish character in a Mozart opera, The former principal with the Metropolitan Opera Orchestra, he is a technically commanding and charismatic musician with a spacious sense of phrasing and a tone that moves from smoky to silken, His down-winding lines through the Adagio were melancholy and hovering, almost weightless, like a hummingbird, Then he and the orchestra went roller-coastering through the Rondo Allegro, and again there was that sense of upticking excitement, heading toward the finish line..