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Walters finished her final year of college, then headed to Australia to do volunteer work for a month. “While I was there, it dawned on me, at the ripe age of 21, that the best way to serve the human experience and society as a whole, is to do what you absolutely love. If you’re not doing what you love, how can you make a great impact? Theater and music have always brought me so much joy, whether I’m performing or attending. So I made a little deal with myself, that I would try. And if it didn’t work out, it didn’t work out. But as long as I was trying and kept feeling like I was moving forward, I would just go along for the ride. It’s not a linear path.
“I realized that this is what life has been about for me, And as long as it loves me back, I will continue to love it for everything that it is.”, The love has been reciprocated so far, Walters has appeared in such productions as “August: Osage County” (San Jose’s City Lights Theater Company) and the world premiere of “Our Practical Heaven” (Berkeley’s Aurora Theatre Company), She played Ilse in “Spring Awakening” (Walnut Creek’s Center Repertory Company), Duncan Sheik, composer of “Spring Awakening,” is reported to have attended that production, and to have said how to sew ribbons on ballet shoes that it had the tightest harmonies and true-to-the-score musical performance he had seen since his New York production, and that Adrienne had fully captured the essence of Ilse..
Next up for Walters is her return to “Little Shop.” The rock musical, based on Roger Corman’s cult favorite 1960 comedy/horror flick, tells the story of a meek clerk in a skid-row flower shop. He suddenly creates a sensation when he discovers an exotic plant with a most unusual appetite. In 1982, it was adapted for the stage by lyricist Howard Ashman and composer Alan Menken, launching their careers. A long-running off-Broadway smash, it was nominated for a Tony when it was staged on Broadway in 2003. A movie version was released in 1986.
“Having played Chiffon,” Walters says, “I find myself humming along with the urchins, But it’s wonderful to be playing Audrey, usually on melody, which is a nice break from the weird, dissonant harmonies, “Playing Audrey, with how positive her outlook is, you’re embodying this character that really does try to see the good in everything, A lot of times, it’s detrimental to her, which is how to sew ribbons on ballet shoes why she’s with this abusive boyfriend, But she does try to see beyond the darkness, see the light through it all.”..
Though it’s Walters’ first time performing at Foothill, she has worked with director Milissa Carey, musical director Dolores Duran-Cefalu and choreographer Amanda Folena before. “All of them are just wonderful to work with,” Walters says, “so I’m I’m thrilled to be part of this production.”. Beyond the bizarre, “Little Shop” offers relatable characters and relationships. Walters says, “Everyone has some sort of love story that’s both tragic and beautiful — at the same time, usually.”.
The performing arts reached out to Walters during childhood, “My mom raised me on musicals and Motown music, My parents took me to see live theater at a very young age.”, It was a Mommy and Me dance class that made performing Walters’ great passion, “I was, like, 4, The mothers are with the children, so you get the independence of learning something, but the comfort of having Mom still there, I was a very, very shy kid, And theater gave me a platform to step out of being shy and into a character, It gave me how to sew ribbons on ballet shoes a boost of confidence, I just loved performing..
“In kindergarten, they give you a blank slate and you have to color in what you want to be when you grow up. I drew a girl with ballet shoes on, but also an easel and paintbrush, as well as the comedy/tragedy masks. It was obvious I was going into the arts,” Walter says, laughing. The focus was dance at the beginning. But at 5, Walters participated in summer drama camp. She was also involved in competitive horseback riding, gymnastics and circus arts. She played piano, viola and drums. Theater took center stage when she turned 8, the minimum performing age for the Palo Alto Children’s Theatre.
“Michael Litfin and Patricia Briggs ran it at that time, and they were definitely the heart of that community, until they left, That whole experience was a big part of my development, While most kids went off to play, my friends and I would go to rehearsal.”, Walters, 26, now teaches Broadway-style dance to children in a Los Altos after-school program, “From both a personal outlook and from the teacher perspective, it definitely helps kids gain a sense of confidence and also comfort within themselves, You’re working with this family that you build, Even if it’s how to sew ribbons on ballet shoes a short amount of time, two or three months, bonds are formed, Theater has such a naked backbone, you’re putting yourself on the line to be judged, hoping for the best, It builds a strong sense of community with the people that you’re working with, because you do feel safe with them, You have unified goals, to create art together..