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Fortunately, she said, rains were light this drought year, averting heavy soil erosion. Still, the black fire damage evokes some sorrow. “It’s sad to walk among the skeletons of the tree-size manzanitas that were destroyed. They must start over by seed,” Ken Lavin, a naturalist, said in an email. “It will be many decades before they approach anything like their previous glory.”. But the wildflowers that sprout from bulbs are having an exceptional spring. During a hike last week though burned areas, Adams came across the densest stand of Mount Diablo fairy-lanterns he has seen in three decades of trekking the mountain.
Several hundred of the delicate yellow flowers — also called globe lilies — hugged the ground beneath charred skeletons of gray pine trees in Perkins Canyon, “You usually see them here and there,” Adams said, “but I have never seen so many of them.”, Across the canyon, Adams used binoculars to spot thousands of cream-colored Fremont’s star lilies on steep burned slopes, Adams and many other mountain plant watchers are waiting anxiously for the emergence of a brilliant orange fire poppy that came out by the tens of thousands on the North ballet shoes black Peak of Mount Diablo after a 1977 wildfire..
“I’ve never seen it,” Adams said, “because it’s a one-in-a-generation flower that only blooms after big wildfires.”. Not all the fire impacts are welcome. Dense mounds of poison oak — bright green with the itch-causing oil — are sprouting in many places. Wild pigs — driven by fire and drought into a smaller range to find food — are digging up ground and creek beds, causing more damage on Mount Diablo than in at least a decade, said Shafer, the state parks scientist.
Some of the chaparral-loving Alameda whipsnakes, a threatened species, may have been harmed by the Morgan Fire, but some have been spotted on the mountain since then, Meanwhile, the fire has stirred scientists to begin a series of post-fire studies to track changes in plant life, fire impacts on wild bees, and other issues, A group called Nerds for Nature is enlisting public help to document mountain changes by taking smartphone photos at five burned spots over several years, and posting ballet shoes black them on Twitter or Instagram at #morganfire04..
And two weeks ago, 65 scientists trekked through burn areas in a bio-blitz to record as many species of plants, insects and animals as they could over 24 hours. During the bio-blitz, Heath Bartosh, a Martinez botanist, was elated to make his first sighting of the rare woodland tar plant, a sticky yellow flower that emerges after wildfires. He was still smiling 30 minutes later. “There is something referred to as a ‘life plant,’ kind of like birders’ life birds, because you have never seen it before,” Bartosh said. “This was a life plant for me. I did a little dance after seeing it.”.
No ballet shoes black wonder he applies sound to movement with the care of a priest administering a sacrament, The sacrament Friday night was the world premiere of his treatment of “Acis and Galatea” by Georg Frideric Handel, performed jointly by the Mark Morris Dance Group and Philharmonia Baroque under the direction of Nicholas McGegan, a co-commission between Cal Performances at UC Berkeley and other performing arts institutions across the country, This is a pastoral opera on a tale plucked from Ovid’s “Metamorphosis” that recounts how the semidivine nymph Galatea, a role sung with rich color by the soprano Sherezade Panthaki, falls hard for the shepherd Acis (the capable tenor Thomas Cooley), who loves her back, Dancers, awash in Isaac Mizrahi’s diaphanous leaf green-and-white skirts and corresponding tops for the women, become a world of dancing wood nymphs who fill the stage in a foamy, floaty sea of chlorophyll and sunlight..
Nymph and the shepherd, decked out in less successful green-splattered clothes, are helped along in their love by Acis’ pal Damon, a one-man Greek chorus who tells us the couple are “happy on the plains” and in the mountains. Then tragedy arrives in form of the louche Cyclops, giant Polyphemus (the same giant who ate Odysseus’ men), sung by powerful bass-baritone Douglas Williams. Groping his way through the dancers toward his heartthrob, Galatea, the Cyclops responds to being rejected by hurling a boulder (a dancer) at Acis, who dies and leaves Galatea bereft. The nymph soon calls upon her semidivine powers to transform her beloved into a crowned immortal.
Adrianne Lobel’s sets were a lush confusion of greens and pale blood-reds that managed with only painted drops to create the feeling of woodland and town, helped along by Michael Chybowski’s skillful lighting, But the decor was also visually annoying — was that large green-and-white object on ballet shoes black the first drop a vast oak tree whose negative space suggested the beyond? And was that a modern cityscape in another drop superimposed on the first? It was hard at times not to feel like one’s vision was failing..