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“It was like this little Garden of Eden,” he remembers. “There was a park, and kids were playing in the sunshine, and everything was multicultural, everything was peaceful, every religion and race and attitude was respected equally. And if I went to play with my friends, I would drive to Beverly Hills and go in their backyard, and there’d be a waterfall there. I mean, a waterfall in the backyard? What the. …. “When I went back to the public school system,” DiCaprio continues, “it was like — boom! — this is reality. I got beat up the day I arrived because I had the attitude,” and here the 39-year-old actor shifts into a blissed-out hippie voice, “of everyone living harmoniously with one another.” He laughs. “That was the motivational thing that happened to me in my life. I was 15, and I said to my mom, ‘I want to be an actor. Please take me to auditions.’ Because I had to get out of that public school system.”.

DiCaprio attributes his success mostly to timing, He says we wouldn’t be having this conversation today if Robert De Niro hadn’t picked him from a few hundred young actors auditioning balera toddler ballet shoes for “This Boy’s Life” in 1992, But from the start, he has kept his eye on the prize, typically opting for the challenge of a role, over the paycheck, (Right after “This Boy’s Life” and still in his teens, he chose “What’s Eating Gilbert Grape?” — for which he earned his first Oscar nomination — over the mainstream kiddie comedy “Hocus Pocus.”)..

And while he did his fair share of partying as a young man, moments that were occasionally captured on camera, DiCaprio says he never has indulged in drug use, reinforcing the idea that, in the words of longtime friend Kevin Connolly, DiCaprio is a “painfully normal guy.”. “Never done it,” DiCaprio says about drugs. “That’s because I saw this stuff literally every day when I was 3 or 4 years old. So Hollywood was a walk in the park for me. … I’d go to parties, and it was there, and, yeah, there’s that temptation. Hollywood is a very volatile place where artists come in, and they essentially say they want to belong. It’s incredibly vulnerable to be an actor and also get criticism at a young age, when you’re formulating who you are. We’ve seen a lot of people fall victim to that, and it’s very unfortunate.”.

DiCaprio relates these stories, he says, not to give anyone a song-and-dance act about his roots or change anyone’s perception about him, There have been times over the years when DiCaprio has asked Scorsese if a certain theme in a picture they’re making should be made clearer for the audience, In “Wolf,” it came during that crazy Quaalude scene, when Jonah Hill’s character chokes on a piece of ham and, for a brief moment, balera toddler ballet shoes DiCaprio’s Belfort considers not doing anything to save him..

“I’m always a bit more, ‘Let’s make sure people get that moment,’ and Marty says, ‘No, kid. We don’t need a voice-over there. Just let the audience sit with that,’ ” DiCaprio says. “And that’s been the great learning experience for me with him. You’re always looking for that one, definitive answer, but it’s always more satisfying if you let people do the work themselves and reach their own conclusions. That doesn’t mean the answer’s not there. It’s just not obvious.”.

One reason his advice holds such weight is that he has balera toddler ballet shoes applied it so effectively in his own music, which is guided by an improvisational approach he characterizes as “composition as yet unwritten.”, “One day I had this vision of scrolls of music unfurling in the middle of a blue sky,” says Werner, 62, who performs with his long-running trio Monday at Duende in Oakland and Feb, 24 at Kuumbwa in Santa Cruz, “There was a shift in my playing, and solos only were interesting to me when they had the impact and organization of a great composition.”..

While Werner has gone long stretches working on other projects, such as his gorgeous and heartbreaking 2010 opus written after the death of his daughter in a car crash, “No Beginning, No End” (Half Note), the trio has been his creative foundation since the late 1990s. Featuring two of the New York scene’s most sought-after accompanists, German-born bassist Johannes Weidenmueller and Philadelphia-raised drummer Ari Hoenig, the group has developed a singular approach to time and form.

“My idea of a trio is two loose cannons and one who holds it together,” Werner says, “Johannes is a great stabilizer, I use him in several different ensembles, And I’ve never found anyone to replace Ari, He’s such a rhythmic innovator, He’s the most melodic drummer I’ve ever played with, You can hear him playing the tune.”, Werner connected with Weidenmueller a few balera toddler ballet shoes years after the bassist moved to New York to study at the New School in 1991, He had already landed a high-profile gig with piano great Hank Jones when they started playing duo sessions together, Hoenig had performed with Werner as a student at North Texas State in the early 1990s and reconnected with him shortly after moving to New York..