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During a day of rehearsals at the Ruth Asawa San Francisco School of the Arts, she spread out her map of Crissy Field, coded in 14 colors representing the 14 crisscrossing ensembles. Her musical materials — short, bold melodies, some like bird calls, some like funky anthems — will be “broadcast” through the 100 acres, as the ensembles play their parts, echoing and embellishing and passing them along from musician to musician and group to group. “It’s like a giant game of telephone,” she told 13 members of the school’s guitar ensemble. “Play a phrase, hear it and pass it along.”.
Koji Yuan, a 15-year-old guitarist in the ensemble, expects “a cloud of sound” to travel around the park as the group moves here and there, intersecting other groups or moving away from them, Blake Johnson, a 15-year-old trumpeter in the Berkeley High School Concert Band and Orchestra, anticipates a dense “web of communication” across the park — and is halfway hoping for foggy weather, so he can hear that matchup between foghorns and low-pitched instruments, Percussionist Steven Schick — artistic director of the San Francisco Contemporary Music Players, Bielawa’s lead ensemble for the weekend performances — likens the effect to “a snow globe in which you have these particles of music which are sort of swirling around you …, Lisa has timed it so that these sounds will freed pointe shoes shield maker move in waves through the space, If you’re standing in the middle of it, you’ll experience this sort of stupendous Doppler effect, where the music approaches you and recedes from you.”..
Bielawa grew up in the Lakeside Village neighborhood near San Francisco State University, where her father Herbert Bielawa taught musical composition. (Some of this weekend’s participating band directors are his former students.) She attended Aptos Middle School in San Francisco (its band is among the “Crissy Broadcast” ensembles) and joined the San Francisco Girls Chorus when she was 12. (She now is artistic director of the chorus, which also is part of “Crissy.). After graduating from Lowell High School (whose orchestra is part of the project, too) in 1986, Bielawa studied music at Yale, then made her mark in New York, singing with the Philip Glass Ensemble (she is still a member) and building her reputation as a composer.
She has a history of composing works freed pointe shoes shield maker for the great outdoors: Her “Chance Encounter” was performed in 2010 by a roving soprano and chamber orchestra along the banks of the Tiber River in Rome, Part of her “Airfield Broadcasts” project (Crissy Field is the site of a former airfield, as is Berlin’s Tempelhof park), “Crissy Broadcast” builds on Bielawa’s mission: to make music a communal event, But will it work? Have no fear, says Joan Murray, director of the Golden Gate Philharmonic, another participant, A former teacher at Aptos Middle School, she was violinist Bielawa’s orchestra teacher in the eighth grade..
Murray remembers, “Lisa came to me one day and said, ‘I could write a musical.’ And she did. She wrote the music and the script, and she did the choreography and taught the other students how to dance it, and then she sat down at the piano and played the accompaniment. And then she directed it, told the kids what to do, where to stand. Lisa even knew about lighting. “So when she came to me about this latest thing at Crissy Field, I thought, ‘Wow, that’s pretty wild.’ But if Lisa’s in charge of something, it’s going to be OK.”.
Two pieces new to the S.F, Symphony repertoire — Ligeti’s “Concert Romanesc” and Dvorak’s “Legends for Orchestra,” Op, 59, Nos, 2, 6 and 10 — are also on the bill, as is Witold Lutoslawski’s Concerto for Orchestra, Concert times are 2 p.m, Thursday, 6:30 p.m, Friday and 8 p.m, Saturday, and tickets, $15-$156, are available at 415-864-6000 and www.sfsymphony.org, OPERA ON THE MOVE: West Edge Opera, nee Berkeley Opera, now priced out by rising fees of its fancy digs at El Cerrito High School’s Performing Arts Center, is rekindling some fond connections with the city of its birth, Its most recent production, Barber’s “Vanessa,” was mounted at the Berkeley Rep, but its next three events will take place in the lovely, neighboring Piedmont Center for the Arts, an old Christian Science reading room at 801 Magnolia Ave., recently converted into a theater, A series of holiday-themed concerts kicks off there at 7:30 p.m, Saturday with “Something Wicked,” a program of “scary operatic arias” performed by soprano Eileen Meredith, tenor Benjamin Bongers, mezzo-soprano Donna Olson and bass-baritone Wayne Wong, with pianist Kristin Pankonin in accompaniment, Selections will come from “Sweeney Todd,” “The Tales of Hoffmann,” “Faust,” “Il Trovatore,” “Ruddigore,” “Un Ballo in Maschera” freed pointe shoes shield maker and more, Tickets, $15-$25, are available at 510-841-1903 or www.westedgeopera.org, and each includes chocolate and a glass of wine or a soft drink, Future events will focus on the December holidays and Valentine’s Day..
DOUBLE DOSE OF MOBY-DICK: San Francisco Opera’s splendid production of Jake Heggie and Gene Scheer’s adaptation of Herman Melville’s “Moby-Dick” is not only going the DVD and Blu-ray route (for release on Tuesday), but it will also be televised on PBS’ “Great Performances” at 9 p.m. Nov. 1 on KQED Ch. 9. The opera, co-commissioned by S.F. Opera, Dallas Opera, San Diego Opera, Calgary Opera and the State Opera of South Australia, starred tenor Jay Hunter Morris as Captain Ahab, Stephen Costello as Greenhorn, Morgan Smith as Starbuck, Jonathan Lemalu as Queequeg and Talise Trevigne as Pip.
On Tuesday and Wednesday, Zhukov Dance Theatre becomes freed pointe shoes shield maker the first contemporary dance company to perform in the SFJazz Center with “Product 06,” a program featuring world premieres by Yuri Zhukov and guest choreographer Idan Sharabi, For Zhukov, the chance to break in the new venue was irresistible, with its prime Hayes Valley address — near many of the city’s top fine-arts venues — and rising profile as a forum for more than jazz, “Some of our supporters put a lot of energy into building SFJazz, and they wanted us to be there,” says Zhukov, “It’s a building that’s home for music, and we want to help make it an interesting place for a diverse array of arts.”..