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Of course, it’s one thing to sell out a show and quite another to make the fans want to come again. Yet it’s hard to believe that anyone in the house on Sunday night felt like they didn’t get their money’s worth — and then some. The show was one of the year’s best pop music spectacles, far surpassing earlier outings from such veteran entertainers as Beyoncé and Lady Gaga in the Bay Area. The 75-minute show was expertly paced and designed, featuring just the right amount of bells and whistles, wardrobe changes and video segments. There was nary a lull in the action. The set list was a nice mix of dance-pop ditties, moving midtempo numbers and ballads, highlighting both Gomez’s solo debut — “Stars Dance,” which debuted at No. 1 on the Billboard 200 this summer — and her Scene songbook.

Following a short video intro, the former star of Disney Channel’s “Wizards of Waverly Place” appeared onstage in all white and immediately joined her dancers for a rousing version of “Bang Bang Bang.” The music was propelled by a versatile live band, which spiced up the songs just enough to let us know we weren’t listening to the radio, The production was relatively straightforward, perfectly fitting for a young singer on her first solo tour, The main stage was split in two by a large staircase, which provided Gomez with a dramatic way make her entrance after each wardrobe change, and there was an “S”-shaped catwalk that led out to a shoes for dance smaller stage, decorated with a large “G” on it, in the crowd..

Gomez and crew worked the stages with energy and enthusiasm, cooking through such dance-pop offerings as “Round and Round” and “Like a Champion.” Her vocals were spot-on throughout the night, whether she was belting out the memorable anthem “Love You Like a Love Song,” crooning the gorgeous ballad “Love Will Remember” or convincingly covering Katy Perry’s “Roar.”. It was a family-friendly show, with no twerking or other Miley Cyrus-worthy moves that might have made the many parents with small children in attendance feel uncomfortable. Gomez seems to take her position as a role model seriously. It was great to hear the messages she delivered onstage to her fans.

“Every day, I’m told that I’m not good enough or sexy enough,” said Gomez, who became a tabloid target while she was dating pop star Justin Bieber, “I have to tell you, the sexiest thing I know is class.”, She certainly showed shoes for dance plenty of class on this night, coming across like a pro in all aspects of her game, One can only hope that Cyrus, Britney Spears and some of the other big-name pop stars catch Gomez’s Stars Dance Tour, They might just learn something..

BERKELEY — The University of California, Berkeley, has formally inaugurated its 10th chancellor in a ceremony marked by pageantry and brief moments of protest. Nicholas Dirks, a history and anthropology scholar, became chancellor of California’s flagship public university on June 1 and was inaugurated Friday afternoon. The chancellor serves as executive head of all activities on the campus. In a speech Friday, he promised to expand and revise the university’s approach to its primary mission areas of teaching, research and public service.

“I invite you now to join me in a collective effort to imagine new futures for this great institution,” Dirks told the audience, “The stakes for us are as high as our aspirations.”, He also said Berkeley was positioned to “rebuild public faith in the value of education.”, Dirks was previously the executive vice president and dean of Columbia University’s faculty of arts and sciences, The inauguration ceremony, held on campus, included a number of faculty and staff processions as well as vocal and dance shoes for dance performances..

On Sunday, the Paris-based composer conducts the West Coast premiere of “A Secret Rose,” his massive five-movement post-minimalist opus for 100 electric guitars, bass and drums. Produced by the new-music organization Other Minds, the singular event adds another first to the already storied history of the Craneway, the expansive repurposed industrial venue with breathtaking views of the San Francisco skyline. A father of the no wave and noise rock movements and the founding director of The Kitchen, Manhattan’s downtown mecca for avant-garde music since the early 1970s, Chatham first made his mark as a composer with his 1977 piece “Guitar Trio.” He had worked his way up to composing for a guitar sextet when a jocular conversation with choreographer Karole Armitage in the mid-1980s planted the seed for his ambitious guitar conclaves.

“I said wouldn’t it be great if we could get 100 guitarists together in shoes for dance a small room, lock the door and call it ‘Torture Box,’ ” Chatham said in an interview last June, when he was in town for an Other Minds performance and conversation, “I was sort of in love with loud electric guitars back then.”, Armitage pooh-poohed the concept, telling Chatham that he didn’t even know 100 guitarists, Never one to back down from a challenge, he bet her that he did, and ended up with a list of 80 guitarists he knew personally..