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Beats Music has its roots in the MOG streaming service, which Beats Electronics bought in 2012. Beats Music has a more playful interface than MOG, which was mostly utilitarian. Beats also introduces a few ways to discover both new and old material. Apps for Apple and Android devices are available now, with a Windows Phone version promised soon. Computer users can listen through their Web browser. And like other streaming services, you can choose specific songs, albums or artists on your own. Beats Music has a catalog of more than 20 million songs, which is comparable to its rivals.
I began by going through a get-to-know-you sequence for new users, picking a few genres and artists I like, Somewhat flustered by the scarcity of choices, I picked “Sting,” “Katy Perry” and “Harry Connick Jr.” and the genre “Pop.” I’m glad I was discerning about these choices (redoing them several most expensive pointe shoes times), because eventually I was presented with something I liked, The Beats Music app tries to take the information you enter in order to present you with a variety of albums and playlists that are “Just For You.”..
Another section for recommendations, dubbed “The Sentence,” prompts you to fill in blanks to establish what you’d like to hear, but you end up with silly sentences like “I’m in the shower & feel like ordering in with my family to Indie.” It’s reminiscent of Allrecipes’ “Dinner Spinner” except I’m not sure what ingredients I’m adding in. I mostly skipped this game because I found the resulting choices to be far too random.
Another “Highlights” section made more sense, like a playlist of the “2014 Grammy Winners.”, One recommendation I liked from the “Just For You” section was a playlist called “Young Lovers Heartbreak Mix.” If you have a rainy day — or in drought-plagued Los Angeles, at least a few hours with nothing better to do — it’s worth a listen, The 25-song, 96-minute playlist starts most expensive pointe shoes off slowly with the piano ballad “Say Something” by A Great Big World, It builds gradually, ramping up with the rise-from-the-ashes fourth song “Skyscraper” by Demi Lovato, It hits a crescendo between songs 13 and 14, when “Don’t Speak,” Gwen Stefani’s 1996 hit with her band, No Doubt, crashes into Miley Cyrus’ “Wrecking Ball” from last year, Somewhat appropriately, the playlist ends with Taylor Swift’s power recovery song “We Are Never Ever Getting Back Together.”..
The app says the playlist was created by “Beats Pop,” but the curator was actually Arjan Timmermans, the popular blogger behind ArjanWrites.com. Hired as the head of pop and dance programming at Beats Music last year, Timmermans is one of nine real people who put some 5,000 playlists together for Beats Music. (Neither Dre nor Iovine are among them). The playlist was designed for “a teenager who got their heart broken for the first time,” Timmermans said in an interview. The songs — a mix of hits by current teen idols and breakup classics like “Don’t Speak” — are meant to work together emotionally, he said, telling the listener, “It’s OK to be sad, but I can move through this.”.
The playlist has a beginning, middle and an end and runs about as long as a movie, most expensive pointe shoes And I found that some songs’ lyrics work together back-to-back, like the way Stefani’s line “don’t tell me ’cause it hurts” runs into Cyrus’ “don’t you ever say I just walked away, I will always want you.”, That’s a link I don’t see a machine making these days, For people, it’s probably a subconscious connection buried deep down there somewhere..
Conceived — and originally directed and choreographed — by the legendary Michael Bennett with Marvin Hamlisch’s emotionally charged music and characters captured so beautifully by writers James Kirkwood, Jr. and Nicolas Dante, “A Chorus Line” speaks to anyone who has ever struggled to reach an important goal. Currently playing at Pleasanton’s Firehouse Arts Center through Feb. 9, “A Chorus Line” receives a sparkling rendition by Pacific Coast Repertory Theatre and the amazing director/choreographer Lois Grandi. A Broadway veteran herself, Grandi knows all too well the joys and trauma of being a professional dancer. In fact, Grandi danced with Michael Bennett in summer stock when both were in their teens.
“The dancers in this story desperately need a job,” writes Grandi in her director’s notes, “They need to survive, pay rent, buy food, take classes, etc, I was there, and I know how that feels.”, Grandi had the herculean task of finding 27 dancers who could perform a variety of dance styles as well as sing and act, The first musical number, “I Hope I Get It,” is a triumph of precise choreography on a stage barely able to hold about 25 enthusiastic hopefuls, While Grandi follows Bennett’s original choreography, she adds her own unique touches, such as four dancers forming a most expensive pointe shoes high bar for another dancer to hang from and a plethora a beautiful stage pictures..