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N.W.A.: The band should have been inducted at the 2013 ceremony, which was held in N.W.A.’s old stamping ground of Los Angeles. Its influence on hip-hop and popular culture, as well as the work its core members would go on to do as solo artists, demands that N.W.A. be inducted in 2014. KISS: How much longer can the Hall deny admission to these costumed characters? They are as much a part of rock history as Led Zeppelin, the Rolling Stones and Metallica. (Granted, KISS hasn’t produced the quality of work that those others have — but those KISS lunchboxes sure rocked!) The wait stops here, to the delight of the always passionate KISS Army.
Linda Ronstadt: She’s been overlooked for years, but it seems like the time is right to recognize Ronstadt for her longevity, influence and smash records from the ’70s and mens dance shoes size 13 early ’80s, Plus, it’s high time that the Hall add more women to its ranks, Chic: The disco-dance band is bound to get into the Hall one of these years — for its incredible collection of hit singles in the ’70s as well as for Nile Rodgers’ genius production work, I like its chances in 2014, given that voters might want to add some disco to an inductee mix that is already strong with rock and rap..
Link Wray: The sixth spot is a bit of a crap shoot, and I’m about as sure of this pick as I am that my Oakland A’s will win the 2014 World Series. Yet, I think the 2014 inductees will be heavy on big names like KISS and Nirvana, which will open the door to “open the door” for a true innovator and pioneer like the late guitarist whose 1958 instrumental hit “Rumble” inspired many rock axemen. Follow Jim Harrington at http://twitter.com/jimthecritic, www.facebook.com/jim.bayareanews and http://blogs.mercurynews.com/aei/category/concerts.
And, then there’s the flying, Thanks to ZFX in Huntington Beach, Tarzan and others swing up to 20 feet above the Hofmann stage, and in Tarzan’s case (James Royce Edwards) perform acrobatics along the way, Kelly Tighe has outdone himself (and that’s saying something) with a stunning set that combines both hard scenery and video projection to create an African jungle, An enormous 24-foor-high tree anchors the design, the trunk of which is a well-muscled, approximately 12-foot-tall man, Waterfalls project off the back wall, gorgeously lit by Michael Oesch with imaginative sound design by Some More Sound, mens dance shoes size 13 Liz Martin adds her own creative touches with a plethora of versatile gorilla costumes and period pieces, not to mention wonderful character makeup..
Choreographer Nicole Helfer has put together some amazing, extremely physical dance sequences. Based in African hip hop, the movements energize the audience as the young athletic performers (who as monkeys are often on their knuckles and knees) flip and leap across the stage and up and down the tree. Thanks to the talents of musical director/conductor Matt Smart, his well-honed musicians never miss a beat as they bring Phil Collins’ music to life. Given the physical demands of this show, the actors really have their work cut out for them, and they do not disappoint. Not only does the entire cast wow the audience with the physical demands of the show, but they also create multidimensional characters, adding a surprising depth to the musical.
Edwards reprises his role of Tarzan having played the legendary character in Disney’s regional premiere of the work, A versatile performer, Edwards incorporates the naiveté and physicality of Tarzan into much more as he matures and falls in love with Jane (beautifully performed by an enthusiastic Anya Absten), Sixth grader Riley Giadone plays the Young Tarzan with style in his Lesher Center debut, “Tarzan” also marks the return to the stage of Maureen Duffey Frentz, Frentz (then known as Duffey) entertained local audiences 15 years ago before leaving the area to tour in mens dance shoes size 13 the Third National Tour of “Les Miserables.” Having recently moved back to the Bay Area with her family, Frentz brings her gorgeous voice and superior acting chops to the role of Tarzan’s ape mother, Marcus Klinger as her husband Kerchak has no problem going toe-to-toe (or in this case, knuckle to knuckle) with Frentz as he creates the sensitive-yet-tough leader of the apes..
Not to be missed, “Tarzan” runs through Nov. 10 at Walnut Creek’s Lesher Center for the Arts. Call 925-943-SHOW or go to www.lesherartscenter.org. The large cast features Deedra Wong as the Nightingale who, along with director Christina Lazo, choreographed the piece, and Lindsay Hirata as the beautifully voiced Mei Lin, the servant girl who brings the songbird to the Emperor of China, a devastatingly funny DC Scarpelli. Sean Fenton with his melodious vocals stands out as the fisherman Xiao Hai with Ted Bigornia adding his considerable comedic gifts to the Emperor’s assistant Bing Wen.
Liz Martin, who did the costumes for “Tarzan,” once again comes through with lots of colorful creations, including whimsical hairpieces for the Emperor’s court, Kahng’s varied music mens dance shoes size 13 (from pop to rock to ballads and even a bit of Disco) is in good hands with his six-piece band including Keith Leung, who uses flute, clarinet and oboe to create the voice of the nightingale, Although the production would benefit from some judicious cutting — especially during Act I — it is a very entertaining piece of theater that imparts its positive message in a charming and compelling way, “Song of the Nightingale continues through Nov, 17 at the Alameda Playhouse, 1409 High St, in Alameda, Call 510-523-1553 or go to www.altarena.org..