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The publisher of the Oxford dictionaries said Tuesday that “selfie” saw a huge jump in usage in the past year, bursting from the confines of Instagram and Twitter to become mainstream shorthand for any self-taken photograph. Researchers behind the renowned dictionaries pick a prominent word or expression in the English language each year that best reflects the mood of the times. Previous words of the year have included “unfriend” in 2009, “credit crunch” in 2008, “carbon footprint” in 2007 and “Sudoku” in 2005.

Judy Pearsall, the editorial director for Oxford Dictionaries, said “selfie” appeared to have been first used in 2002 on an Australian online forum, and the hashtag (hash)selfie appeared on the photo-sharing website Flickr in 2004, “But usage wasn’t widespread until around 2012, when ‘selfie’ was being used commonly in mainstream media,” she said, Australian English sometimes uses the suffix “-ie” latin rhythm dance shoes — such as barbie for barbeque and tinnie for a can of beer — which helps to explain where “selfie” may have come from, Pearsall added..

Oxford usually assigns a separate word of the year to the U.S. and to the U.K., but it said “selfie” captured the imagination on both sides of the Atlantic this year. The term beat other buzzwords including “twerk,” the sexually provocative dance move that got a huge boost in usage thanks to an attention-grabbing performance by pop star Miley Cyrus; “showrooming,” the practice of visiting a shop to look at a product before buying it online at a lower price; and “Bitcoin,” the digital currency that gained widespread media attention.

This was back in the ’60s, when they grew tomatoes at one end of town and squeezed ketchup out at the latin rhythm dance shoes other, But it was also where I was introduced to theater, dance, classical music, opera, jazz and, most importantly, writing, “Here, take this,” said my friend Carol, handing me a tiny, slim book, wrapped for the holiday, “Open it when you’re by yourself, because once you start reading this, you won’t be able to stop.”, Carol — who died recently, which is why these memories came back so vividly — was right about the book — Dylan Thomas’ “A Child’s Christmas in Wales” — as she was about most things, I quickly went home, went to my room and didn’t come out until I could get the tears to dry up enough to let anyone see me..

It made me realize just how powerful words can be. And that is why I am so excited about Contra Costa Civic Theatre’s production of a stage adaptation of Thomas’ eloquently simple, yet profound tale, opening Friday at the company’s theater at 951 Pomona Ave. in El Cerrito. The stage show aims at giving audiences the visual richness that enhances Thomas’ verbal richness of this bittersweet story of Christmas seen through the eyes of a boy. A combination of puppets and live actors are used to re-create Thomas’ childhood memories and flights of fancy.

Assisting in the magic is the musical direction of Scarlett Hepworth and puppets created by former CCCT artist Patrick Treadway, The show plays weekends through Dec, 15, Tickets, at $11-$20, latin rhythm dance shoes may be reserved at 510-524-9132 or www.ccct.org, “Fahrenheit 451” plays in the Black Box Theater, Room 4128 in the theater building at Las Positas College, at 8 p.m, Friday and Saturday and 2 p.m, Sunday, Tickets, at $12 general and $8 for students and seniors, are available at 925-424-1000, ext, 2480..

I bring that to your attention upfront because that’s information that you’re probably going to need in 2014. Chvrches, one of this year’s biggest buzz bands, is poised to breakthrough into the mainstream very soon. The Scottish synth-pop trio has the look, the sound and most definitely the material to entice the masses. The band’s full-length debut, “The Bones of What You Believe,” was released in September and immediately hailed by many as one of 2013’s best albums. Yet, the album isn’t nearly as strong as the trio’s live show.

The Glasgow group, which consists of lead vocalist Lauren Mayberry, multi-instrumentalist Iain Cook and synthesizer-sampler guru Martin Doherty, delighted a capacity crowd of some 2,800 on Sunday at the Fox Theater in Oakland, The sold-out latin rhythm dance shoes show lived up to the substantial advance hype — and then some — as the Chvrches managed to transform their finely tuned studio creations into even more powerful offerings onstage, It was a relatively short concert, clocking in at just under 75 minutes, but it said volumes about the group’s potential, Every single song offered up in the set list was worth hearing again, That’s quite unusual for a band with only one album to its credit, Just wait until the group has two or three album’s worth of material to skim the cream from..