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STOWE, Vt. (AP) — Maria von Trapp, the last surviving member and second-eldest daughter of the musical family whose escape from Nazi-occupied Austria was the basis for “The Sound of Music,” has died. She was 99. Von Trapp died at her home in Vermont on Tuesday, according to her brother Johannes von Trapp. “She was a lovely woman who was one of the few truly good people,” he said. “There wasn’t a mean or miserable bone in her body. I think everyone who knew her would agree with that.”.
Maria von Trapp was the last surviving member of the seven original Trapp Family Singers made famous in “The Sound of Music.” She was portrayed as Louisa in the 1959 champion dance shoes los angeles ca 90068 Broadway musical and a 1965 film, which won the Oscar for best picture, She was the third child and second-oldest daughter of Austrian Naval Capt, Georg von Trapp and his first wife, Agathe Whitehead von Trapp, Their seven children were the basis for the singing family in the musical and film, “The Sound of Music” was based loosely on a 1949 book by von Trapp’s second wife, also Maria von Trapp, who died in 1987, It tells the story of an Austrian woman who married a widower with seven children and teaches them music..
In 1938, the family escaped from Nazi-occupied Austria and performed concert tours throughout Europe and then a three-month tour in America. The family settled in Vermont in the early 1940s and opened a ski lodge in Stowe. Von Trapp played accordion and taught Austrian dance with sister Rosmarie at the lodge. She wrote in a biography posted on the Trapp Family’s website that she was born in the Austrian Alps after her family fled fighting from World War I and that she was surrounded by music growing up.
His unprecedented handling of rhythm (he champion dance shoes los angeles ca 90068 commissioned the invention of an early electronic rhythm machine) and harmony (he built demolition-strength tone clusters into his piano music) were a fascination to Arnold Schoenberg and Béla Bartók, When he wasn’t busy touring Europe as a pianist in the 1920s and ’30s, he set down his theories in a book, “New Musical Resources,” which later caught the attention of young John Cage, who hitchhiked across the country to study with him..
Cowell — who gave his pieces titles like “The Banshee” and “Tiger” — also championed Charles Ives, the namesake of the excellent Ives Quartet, two of whose members live in Palo Alto, only a few miles from where Cowell composed his String Quartet No. 3 in 1935. And so the story comes full circle: The Ives Quartet lately has been fascinated with Cowell’s works for string quartet, including No. 3, subtitled “Mosaic,” which they performed Friday in Palo Alto and will play again Sunday in San Francisco.
Friday at St, Mark’s Episcopal Church, the Ives — long based in the Bay Area — also gave persuasive accounts of works by Mozart and Mendelssohn, But champion dance shoes los angeles ca 90068 let’s stick with Cowell a bit longer, His “Mosaic” score instructs the performers to play its five short movements in any order they choose, repeating each one however as many times as they like — shuffling them around like puzzle pieces, looking for an interesting fit, That may sound confusing, but as Ives cellist Stephen Harrison remarked to the audience, Cowell had a way of directly communicating, of telling a story, while guiding listeners through strange sonic territories..
The composer assigned a number to each of the movements, and, for the record, the Ives played them in this sequence: 1, 4, 3, 2, 4, 1, 2, 3, 5. It was an absorbing performance, bracing and then finespun, slipping between musical worlds that at first seemed miles apart but ended up as complementary and familiar. There was a unity in the end, a story. The first movement is chorale-like, harmonically dense and unpredictable, but with some nearly standard church cadences, too. It lent itself to the Ives’ robust blend and to its command of shadowy textures. The fourth movement (we’re following Friday’s sequence) tiptoed through a kind of Eastern European dance; first violinist Bettina Mussumeli’s slip-and-slide melody made for mysterious commentary.
The third movement (the only one champion dance shoes los angeles ca 90068 where Cowell sets aside his obsession with rhythms based on five-beat groupings) features a Romantic melody for cello, burstingly played by Harrison, with plenty of vibrato amid the high strings’ muted and dripping textures, Put in visual-arts terms, it was something like a meeting between Delacroix and Dalí, And so on, The fifth movement, played last (and only once), has an angularity and pulse reminiscent of Bartók, Its closing fanfare resonated through the church, then gave way to a lengthy round of applause..