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Halloween Horror Nights, Universal Studios, Hollywood. Fan of horror flicks like” The Walking Dead” and “Chucky?” Check out Halloween Horror Nights where some of the most chilling movies are brought to life using movie sets as the attraction backdrop. Visitors can wend their way through different haunted mazes, scare zones and experience the ‘Terror Tram.’. Select nights Sept. 20 – Nov. 2. Chicagoween. The Windy City loves Halloween so much the city throws a month-long celebration that turns city landmarks and institutions like the Adler Planetarium, the Navy Pier and the Garfield Park Conservatory into ghoulish versions of themselves. In addition to haunted houses and pumpkin harvests, residents and visitors can get their groove on and learn the dance steps to MJ’s “Thriller” and learn about Prairie Street’s sordid secrets during a walking tour.
BEVERLY HILLS, Calif, — Most community performing-arts centers open with the mayor in attendance, maybe a few local business owners, Not in Beverly Hills, The opening of the city’s Wallis Annenberg Center for the Performing Arts was celebrated with a black-tie gala Thursday night that drew scores of stars, including Kevin Spacey, Charlize Theron, Jodie Foster, Amy Adams, Demi Moore, an apparently pregnant Gwen Stefani, Gavin Rossdale and many others, “It’s such an artistic community here,” said Adams, who sat near breaking in pointe shoes black swan actress Maria Bello, “It’s really nice to bring the arts that inform the film community to Beverly Hills, It’s nice to have it in our backyard.”..
Joe Jonas, Josh Duhamel, Sherry Lansing, Nicole Richie, Courteney Cox, James Caan, Jason Bateman and Suzanne Somers also attended the opening-night gala. The mayor of Beverly Hills was on hand, too, thanking the center’s namesake benefactor for “saving our city from being a cultural wasteland.”. The new facility, which has been under construction for a decade, takes over the city’s original 1933 post office building. It now boasts two theaters and will host concerts, plays, dance performances and drama classes for young people.
Keeping with the building’s original theme, Spacey, John Lithgow and Diane Lane helped inaugurate the new 500-seat Goldsmith Theater by reading letters from Groucho Marx, Tennessee Williams, Peter Tchaikovsky and others, A dinner of filet mignon over white truffle risotto followed the performance, along breaking in pointe shoes black swan with a fashion show by event sponsor Salvatore Ferragamo and a performance by Italian tenor Vittorio Grigolo, Public performances by the Martha Graham Dance Company begin at the Wallis center next month..
“The vision is to inspire people through art to look at their world in new ways.”. Weems challenges viewers to do just that with power and subtlety unrivaled in the contemporary world of photography. It’s no wonder that the Cantor Arts Center at Stanford is thrilled to host this first-ever retrospective for the artist with roots in the Bay Area. As punctuation, last month Weems was awarded a MacArthur “genius” fellowship. Her best-known images explore the black family, racial stereotypes and the legacy of slavery, but to describe the extensive exhibit as only about African-Americans, or racism, is to limit its scope. Weems wants “people of color to stand for the human multitudes.”.
It’s a vast “canvas” breaking in pointe shoes black swan that Weems covers, from her own kitchen table to Louisiana plantations and the African slave coast, with source material from wrenching period images of American slaves to a staged “Afro-chic” fashion show, Born in Portland, Ore., Weems moved to San Francisco in her late teens to pursue a career in modern dance, studying with the Anna Halprin Dancers’ Workshop, A friend gave her a camera for her 21st birthday, and she turned to photography, partly, as curator Kathryn Delmez says, “to rewrite black cultural myths.”..
After earning university art degrees in Southern California, she studied in a graduate program in folklore at UC Berkeley. She now divides her time between Brooklyn and Syracuse, N.Y. Sociologist, cultural anthropologist, folklorist — all these complex descriptions are distilled with incredible subtlety and keen perception in her work. She may be best known for her 1990 “Kitchen Table Series,” images nearly 4 feet square with a narrated story of a woman’s love, loss, motherhood and friendships. Weems is her own subject, and it’s still a powerful, poignant drama.
The juxtapositions and counterpoints in Weems’ work, and in the gallery installations, are remarkable, One wall is nearly filled with photographs of her family, a series begun in the 1970s to counteract reports that the black family was deteriorating, But then, just to the side is an image from her “Ain’t Jokin’ ” series: the stereotyped Aunt Jemima and Uncle Moses salt and pepper shakers on a kitchen counter, There is both anger and wit in Weems’ “Not breaking in pointe shoes black swan Manet’s Type” series, with her image, like a model ready to pose, reflected in a dressing-table mirror, Manet, Picasso and de Kooning would have rejected her, or, she notes, she would have rejected them..