Ballet Flats With Straps Across Foot
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Figure Drawing Sessions: Classes are uninstructed, with no registration required. Bring a portable easel and supplies. For ages 18 and older. Tuesdays, 2-4:30 p.m. Los Gatos Museums Gallery basement, 24 N. Santa Cruz Ave., Los Gatos. Drop-ins welcome. $16, plus tip for the model. museumsoflosgatos.org/site/education/classes. Fun Run/Walk: Sportissimo holds easy group 3-mile fun runs/walks along the Vasona Lake Trail. All levels welcome. Wednesdays, 8 a.m. 786 Blossom Hill Road, Los Gatos. Free. RSVP to firstname.lastname@example.org or 408-358-1300.
Given the opportunity to put her stamp on the holiday classic, Gabay hewed to ballet flats with straps across foot the blueprint as determined by American Ballet Theatre, Ballet San Jose’s artistic partner since 2011, But, she says, “There are more feminine touches; it’s told from a woman’s point of view.” She adds, “I try to keep it as more of a love story–of a girl who is just discovering the idea of love–rather than it being just about a candy palace.”, The staging was inspired by the E.T.A, Hoffman story and features sets by Paul Kelly plus costumes by Theoni V, Aldredge, the Tony- and Oscar-winning designer, Live music will be provided by Symphony Silicon Valley, conducted by Ballet San Jose music director George Daugherty..
Now artistic associate at Ballet San Jose, Gabay still makes use of her pointe shoes, just not in any official capacity with the company. She guest dances with other organizations. “I still take classes, even though I don’t have to. It’s hard to stop,” she says. “I’d feel worse if I didn’t take lessons.”. The San Diego native will also eventually become involved with Project Plié, an initiative just launched by American Ballet Theatre with the goal of adding diversity to the country’s professional ballet ranks. She says that ABT executive director Stephanie Ziesel has talked to her about taking that on..
Even more change is afoot at Ballet San Jose, now that José Manuel Carreño is settling in as its new artistic director, The former ABT star fills the role last held by Gabay’s mentor Nahat, who was dismissed almost two years ago, “I haven’t worked that much with him yet,” Gabay says of Carreño, “He’s now part of the organization and his presence is known, So far, so good.”, The assessment might also apply to Gabay’s dancing career, “I don’t put any time limit on it,” ballet flats with straps across foot she says, “I go day by day, Right now I feel like I can still dance, If guest roles work out with my schedule, great, But my priority is here with Ballet San Jose, I have to honor that.”..
Modern music is just noise. You can’t hear the words properly. Those electronic things aren’t proper instruments. Why is it all so loud? You can’t dance to this, not like in my day. This is your father speaking. It’s everyone’s father speaking. It may even be you speaking. Inter-generational arguments about the merits of popular music will never cease, but how has music really changed over time? Maybe data, rather than dads’ disapproval, holds the key to answering that question.
The Echo Nest is one of the more interesting music technology companies in 2013, with a database of more than one trillion data points about 35m songs from 2.6m artists, which it provides to digital music services from companies including Spotify, Deezer, Rdio, Nokia and Vevo, along with tools to make sense of all this metadata, However, it also publishes its own research, including a series of blog posts this year about studies by its “data alchemist” Glenn McDonald, running tests on the ballet flats with straps across foot 5,000 hotttest [sic] tracks from 1950 to 2013 to see how specific attributes – including energy, loudness, organicness, acousticness and mechanism – have changed over that time..
The results make for interesting, sometimes surprising reading (caveat: it’s popular songs, not a snapshot of all music). Here are some of the highlights, with each section title a link to the full blog post outlining the results. Is music happier or sadder?. Start with an examination of “valence” – a psychological term referring to happiness. Can you really measure a song’s happiness with an algorithm? The Echo Nest reckons you can, and in less than three seconds (“We have a music expert classify some sample songs by valence, then use machine-learning to extend those rules to all of the rest of the music in the world, fine tuning as we go”).
How does this valence attribute change over time from 1950 to the present day? “Apparently, regardless of decade, prominent musical styles, or any other factor, we pretty much always like our pop music, on average, right in the middle of happy and sad,” explains The Echo Nest’s blog post, “Yes, we see a few spikes — the ’50s oscillated between happy or sad music being preferred — and we’ve seen a general trend towards lower emotional valence since right around the emergence of punk rock, which makes a certain kind of sense, However, overall, the emotional effect of our favorite music has tended right towards the ‘happy medium’ between ballet flats with straps across foot happy and sad.”..