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Novembre 15, 2016

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Novembre 15, 2016

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Grand Hotel Majestic “Già Baglioni”

Novembre 14, 2016

Unico cinque stelle Lusso dell’Emilia Romagna.
Simbolo dell’accoglienza made in Italy, il Grand Hotel Majestic “già Baglioni” si trova in un palazzo del XVIII secolo nel cuore di Bologna. Storia e arte incontrano lo charme aristocratico in ciascuna delle 109 camere dell’hotel, apprezzate per comfort e design da una clientela italiana e straniera.
Custode del lusso, tra preziosi drappeggi, dipinti, ceramiche e marmi d’epoca l’antica residenza è location tra
le più eleganti e originali di Bologna, l’ideale per abbandonarsi al relax coccolati dalle specialità tipiche della cucina della tradizione italiana nelle atmosfere uniche del Ristorante I Carracci, abbracciati dai dipinti firmasti dalla scuola dei fratelli Carracci. read more

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La Collezione Gelman: Arte Messicana del XX secolo

Novembre 3, 2016

Un racconto bellissimo, struggente, emozionante quello della mostra che apre a Palazzo Albergati il 19 novembre 2016.
Attraverso l’esposizione delle opere della Collezione Gelman, tra le più importanti raccolte d’Arte Messicana del XX secolo in cui primeggiano Frida Kahlo e Diego Rivera, è narrata la “Rinascita messicana” (1920-1960) e la storia degli artisti che ne sono stati protagonisti.

La Collezione Gelman nasce nel 1941 quando Jacques Gelman e Natasha Zahalkaha, due emigrati dall’Est Europa, si incontrano e si sposano a Città del Messico: Jacques era un ebreo russo di San Pietroburgo, emigrato in Francia dopo la rivoluzione d’ottobre e arrivato nel 1938 in Messico, dove fa fortuna producendo i film comici di Mario Moreno, il Charlie Chaplin messicano. Nel 1943 Jacques commissiona a Diego Rivera il ritratto di Natasha: è l’inizio di una lunga avventura e di una grande Collezione.

I coniugi Gelman iniziano a collezionare le opere dei più grandi artisti messicani, tra cui María Izquierdo, David Alfaro Siqueiros, Rufino Tamayo e Ángel Zárraga.
Nella loro Collezione entrano anche le opere di Frida Kahlo e Diego Rivera, destinati a diventare tra le più famose coppie di artisti del mondo, sia per le loro opere che per la loro infinita, intensa e distruttiva storia d’amore. Come scriverà Frida nei suoi diari: «Ho subito due gravi incidenti nella mia vita… il primo è stato quando un tram mi ha travolto e il secondo è stato Diego».

La Collezione Gelman – composta da dipinti, fotografie, abiti, gioielli, collages, litografie, disegni – è eccezionalmente esposta a Bologna.
Alla collezione si aggiunge una "chicca" assoluta: per la prima volta sono esposti gli abiti dei più grandi stilisti di fama internazionale che si sono ispirati a Frida Kahlo: Gianfranco Ferrè, Antonio Marras, Valentino sono solo alcuni nomi della moda che hanno voluto partecipare a questa mostra.

Tra le opere di Frida, ci sono le iconiche e note al mondo intero Autoritratto con collana (1933), Autoritratto seduta sul letto (1937), Autoritratto con scimmie (1943), Autoritratto come Tehuana (1943) e quelle indissolubilmente legate al suo amore per Diego, come L’abbraccio amorevole dell’universo, la terra (il Messico), Diego, io e il signor Xolotl (1949); una “Naturaleza viva” (Natura vivente) di straordinario impatto, La sposa che si spaventa vedendo la vita aperta (1943).
Frida è stata la più potente biografa di se stessa: attraverso le sue opere si ripercorre la vita di una donna alla quale non è stato risparmiato alcun dolore: l’incidente sull’autobus che le distrusse la colonna vertebrale, gli aborti, la travagliata storia con Diego, i tradimenti, il supplizio fisico, la morte prematura; attraversando le sale della mostra si rivivono con lei emozioni e dolori.

Di Diego, sono presentati alcuni capolavori come il Ritratto di Natasha Gelman, Girasoli, Venditore di calle, tutte tele risalenti al 1943, anno dell’incontro con Frida.

Curata da Gioia Mori, la mostra è patrocinata dal Comune di Bologna, ed è prodotta e organizzata da Arthemisia Group. Sponsor dell’iniziativa l’INBA (Instituto Nacional de Bellas Artes). Alla realizzazione della mostra hanno collaborato MondoMostre e Skira.
Special partner Ricola, sponsor tecnico della mostra Trenitalia e La Rosa. Hospitality Partner Grand Hotel Majestic “Già Baglioni” e Monrif Hotels.
L’evento è consigliato da Sky Arte HD.

Per volontà dei prestatori e degli organizzatori, una parte del ricavato della mostra andrà a favore dei terremotati.

The Gelman Collection came into being in 1941 when Jacques Gelman and Natasha Zahalkaha, two Eastern European émigrés, met in Mexico City. Natasha married Jacques, a Russian Jew from Saint Petersburg, who had arrived in Mexico in 1938, where he made his fortune producing Mario Morenoi (1911–1993) comic movies. The Gelmans soon became great patrons of the arts and keen collectors, establishing friendships with Frida Kahlo (who in the early1940s was becoming a Mexican cultural heroine and abandoning Surrealist glories) and Diego Rivera, as well as many artists who were their contemporaries such as RufinoTamayo, María Izquierdo, David Alfaro Siqueiros and Ángel Zárraga.

Soon the Gelman Collection acquired works by Frida including Self-Portrait with Necklace (1933), Self-Portrait Sitting on the Bed (1937), Self-Portrait with Monkeys (1943), Self-Portrait as Tehuana (1943) and The Love Embrace of the Universe, the Earth (Mexico), Diego, Me and Señor Xolotl (1949). These works, which are all on display in Bologna, are iconic images of her life indissolubly linked to that of her great love Diego Rivera.

The lives of Frida Kahlo and Diego Rivera – whose Sunflowers (1943) and Portrait of Natasha Gelman (1943) – were full of personal transformations, complex critical acclaim and contradictions, individual tragedies and cultural and political turmoil. Their works and personal possessions – photographs, clothes, jewellery, pages from their diaries – recount a country – Mexico – a cultural movement, the life of two artists and the passionate, compelling and destructive story of their two strong personalities. As Frida wrote in her diary; "I have experienced two serious accidents in my life … the first was the tram crash and the second Diego."

The exhibition also introduces the visitor to the works of Rufino Tamayo ( Ceilings,1925 and Portrait of Cantinflas, 1948), David Alfaro Siqueiros (Isqueiros for Siqueiros, 1930), Ángel Zárraga (Portrait of Jacques Gelman, 1945) and María Izquierdo (Circus Scene with Gypsy, 1940 and Live Naturalness,1946) who represent all the main international cultural movements that passed through Mexico at that time, from revolutionary Pauperism and Stridentism to Surrealism and what years later came to be called Magical Realism.

These are unique paintings that not only mirror the vicissitudes of the individual artists, but also express a vision in which the history and spirit of their contemporary world merge, reflecting the social and cultural transformations which led to the Mexican Revolution and followed it.

Curated by Gioia Mori, with the patronage of Bologna City Council – Department of Culture, the exhibition is produced and organized by Arthemisia Group and sponsored by the Instituto Nacional de Bellas Artes.

The Gelman Collection came into being in 1941 when Jacques Gelman and Natasha Zahalkaha, two Eastern European émigrés, met in Mexico City. Natasha married Jacques, a Russian Jew from Saint Petersburg, who had arrived in Mexico in 1938, where he made his fortune producing Mario Morenoi (1911–1993) comic movies. The Gelmans soon became great patrons of the arts and keen collectors, establishing friendships with Frida Kahlo (who in the early1940s was becoming a Mexican cultural heroine and abandoning Surrealist glories) and Diego Rivera, as well as many artists who were their contemporaries such as RufinoTamayo, María Izquierdo, David Alfaro Siqueiros and Ángel Zárraga.
Soon the Gelman Collection acquired works by Frida including Self-Portrait with Necklace (1933), Self-Portrait Sitting on the Bed (1937), Self-Portrait with Monkeys (1943), Self-Portrait as Tehuana (1943) and The Love Embrace of the Universe, the Earth (Mexico), Diego, Me and Señor Xolotl (1949). These works, which are all on display in Bologna, are iconic images of her life indissolubly linked to that of her great love Diego Rivera.
The lives of Frida Kahlo and Diego Rivera – whose Sunflowers (1943) and Portrait of Natasha Gelman (1943) – were full of personal transformations, complex critical acclaim and contradictions, individual tragedies and cultural and political turmoil. Their works and personal possessions – photographs, clothes, jewellery, pages from their diaries – recount a country – Mexico – a cultural movement, the life of two artists and the passionate, compelling and destructive story of their two strong personalities. As Frida wrote in her diary; "I have experienced two serious accidents in my life … the first was the tram crash and the second Diego."
The exhibition also introduces the visitor to the works of Rufino Tamayo ( Ceilings,1925 and Portrait of Cantinflas, 1948), David Alfaro Siqueiros (Isqueiros for Siqueiros, 1930), Ángel Zárraga (Portrait of Jacques Gelman, 1945) and María Izquierdo (Circus Scene with Gypsy, 1940 and Live Naturalness,1946) who represent all the main international cultural movements that passed through Mexico at that time, from revolutionary Pauperism and Stridentism to Surrealism and what years later came to be called Magical Realism.
These are unique paintings that not only mirror the vicissitudes of the individual artists, but also express a vision in which the history and spirit of their contemporary world merge, reflecting the social and cultural transformations which led to the Mexican Revolution and followed it.
Curated by Gioia Mori, with the patronage of Bologna City Council – Department of Culture, the exhibition is produced and organized by Arthemisia Group and sponsored by the Instituto Nacional de Bellas Artes.

The Gelman Collection came into being in 1941 when Jacques Gelman and Natasha Zahalkaha, two Eastern European émigrés, met in Mexico City. Natasha married Jacques, a Russian Jew from Saint Petersburg, who had arrived in Mexico in 1938, where he made his fortune producing Mario Morenoi (1911–1993) comic movies. The Gelmans soon became great patrons of the arts and keen collectors, establishing friendships with Frida Kahlo (who in the early1940s was becoming a Mexican cultural heroine and abandoning Surrealist glories) and Diego Rivera, as well as many artists who were their contemporaries such as RufinoTamayo, María Izquierdo, David Alfaro Siqueiros and Ángel Zárraga.
Soon the Gelman Collection acquired works by Frida including Self-Portrait with Necklace (1933), Self-Portrait Sitting on the Bed (1937), Self-Portrait with Monkeys (1943), Self-Portrait as Tehuana (1943) and The Love Embrace of the Universe, the Earth (Mexico), Diego, Me and Señor Xolotl (1949). These works, which are all on display in Bologna, are iconic images of her life indissolubly linked to that of her great love Diego Rivera.
The lives of Frida Kahlo and Diego Rivera – whose Sunflowers (1943) and Portrait of Natasha Gelman (1943) – were full of personal transformations, complex critical acclaim and contradictions, individual tragedies and cultural and political turmoil. Their works and personal possessions – photographs, clothes, jewellery, pages from their diaries – recount a country – Mexico – a cultural movement, the life of two artists and the passionate, compelling and destructive story of their two strong personalities. As Frida wrote in her diary; "I have experienced two serious accidents in my life … the first was the tram crash and the second Diego."
The exhibition also introduces the visitor to the works of Rufino Tamayo ( Ceilings,1925 and Portrait of Cantinflas, 1948), David Alfaro Siqueiros (Isqueiros for Siqueiros, 1930), Ángel Zárraga (Portrait of Jacques Gelman, 1945) and María Izquierdo (Circus Scene with Gypsy, 1940 and Live Naturalness,1946) who represent all the main international cultural movements that passed through Mexico at that time, from revolutionary Pauperism and Stridentism to Surrealism and what years later came to be called Magical Realism.
These are unique paintings that not only mirror the vicissitudes of the individual artists, but also express a vision in which the history and spirit of their contemporary world merge, reflecting the social and cultural transformations which led to the Mexican Revolution and followed it.
Curated by Gioia Mori, with the patronage of Bologna City Council – Department of Culture, the exhibition is produced and organized by Arthemisia Group and sponsored by the Instituto Nacional de Bellas Artes.

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La Collezione Gelman: Arte Messicana del XX secolo

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