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Then her stepfather asked her to watch a boxing match on TV with him. Clark was instantly fixated. “I saw two men boxing in the ring. It wasn’t one man punching on another and getting beat up. He was fighting back. I just stared and watched,” she says. The next time kids picked on Clark at school, she got into a stance like a boxer. “I wobbled my head and I was moving my feet,” she recalls. “My teacher came and pulled me away. From that day, I felt like I grew up, like I wasn’t afraid anymore of anything.”.

Her mother enrolled her in dance school, but Clark insisted that she wanted to be a boxer, She wrote an essay about her aspirations when she was 13, “I wrote I wanted to be a boxing champion,” Clark recalls, Her teacher “had me read my essay out loud to the class, and everybody started laughing, I just stood there.” Then her teacher went over to her and said: “I’m sorry, This is a man’s sport, Women don’t box.”, But yoga shoes sanuk Clark refused to accept her exclusion from the sport, At 16, her father took her to meet Lee Blackmon, a legendary trainer at Gleason’s Gym in Brooklyn, N.Y, where Ali, Frazier and Mike Tyson had trained, Blackmon asked her if she could really fight, She told him she could, Blackmon took a swing at her, and she ducked..

“He said, ‘I will train you,’ ” she recalls. She had to go to Canada to fight, because women in the United States couldn’t get boxing licenses. Finally, in 1978, Clark was licensed to box in New York along with Tonawanda, Marian “Lady Tyger” Trimiar and Cathy “Cat” Davis. “These boxers paved the way for some of the women now,” said Rosemary Clark, editor of Undefeated magazine and no relation to Diane. But professional fights for women remained rare in the late 1970s, when Clark was in her prime. The pay was so low — Clark says she earned only $500 a fight — that many of the best women boxers had to find full-time jobs.

Clark says she took a job at Rolling Stone magazine, cleaning the cubicles of writers, Then she started partying and her life hit the canvas: drug addiction, a suicide attempt and later, two years in prison for writing bad checks, But she never stopped fighting — for recovery, for respect and for recognition of the title she’d won, Finally, she yoga shoes sanuk got a taste of what she was looking for, In 2008, two years after Clark’s release from jail, Undefeated magazine and Amber Sports reviewed her career and awarded her the belt she never received from the boxing commission..

Presenting Diane Clark with a belt was a way of showing appreciation for her place in women’s boxing history, said Rosemary Clark. “Now, she has something she can frame on the wall and say, ‘Somebody recognized me for that history.’ ”. At the shelter, Clark keeps the belt and her other boxing memorabilia in a black bag. “This is what is most precious to me,” she says. Every morning, she wakes at 4 a.m., showers, then sits on her bed and begins her exercises. “I do 50 of these,” she says, demonstrating leg lifts. “I do 50 wall push-ups. I do 100 calf raises.” Then she takes her shoes and uses them as boxing gloves. She punches, lightning fast, shadowboxing. Pow. Pow. Pow. Determined to make a comeback.

Call it a happening, connecting freewheeling San Francisco to the grand tradition of spectacle in classical music, Bielawa has composed her 50-minute piece for an army: 14 ensembles, including choruses, bands, orchestras, electric guitarists with battery-pack amps, even a group of traditional Chinese instrumentalists, Against the backdrop of Alcatraz and the Golden Gate, yoga shoes sanuk it will fan out across 100 acres on the San Francisco Bay shoreline, as the musicians intersect with bicyclists, skaters, joggers and families with picnics..

A San Francisco native who has made her career in New York, Bielawa, 45, expects “an unbelievable outpouring of joy from the musicians, from everyone”, as her “spatial symphony” transforms the park, a part of the Golden Gate National Recreation Area. (There will be two free performances on Saturday, one on Sunday.) In May, when Bielawa put the piece through a test run in a Berlin park, with a mere 250 or so musicians zigzagging among some 5,000 onlookers during two performances, she says, “It was like suddenly being on another magical planet.”.

Her aims include breaking down walls between performers and audience (listeners get to roam among the musicians); between professional and amateur musicians (both will participate); and between music and the environment (she has matched trombone and tuba pitches to those of foghorns on the bay), With a $200,000 budget, most of it from foundations committed to the arts, yoga shoes sanuk the project has been several years in the making, And while composing can be a lonely pastime, “Crissy Broadcast” allows Bielawa to be what she is — a “people person,” out and about, creating a community through her work..