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There were some humans who sneaked in, at a cost of $45, but most of the 600 people who showed up scored the $35 registration fee by dressing up: “I’m glad other people got into it,” said Mary Castaneda, also 26. Armando Valdez and Isabel Lopez, of Redwood City, got up at 5:30 a.m. — 3½ hours before the race started — to get ready. They used a sanding machine to rip up an old suit to make it look like it had been torn apart by hungry man-eaters and bought red paint to splash fake blood all over themselves.
“We’ve never done that,” a resting Valdez said after the race, Near the finish line was a “barbed-wire” cage and containers with green liquid marked “Danger: reanimation chemicals.” T-shirts for sale included one marked “Keep Calm and Kill Zombies” and another reading “ZFL: Zombie Football League.”, And because no zombie event would be complete with without a “Thriller” reference, a troupe that heard about the event showed up white ballet flats near me for a choreographed zombie dance re-enactment of the 1983 Michael Jackson classic music video..
Weston Furia, a senior at San Jose State who was the on-site coordinator Sunday, said his fraternity uses local parks all the time and wanted to give back. He came up with the zombie 5K idea with this dad after seeing how popular zombies have become. Earlier this month, the sixth annual San Jose Zombie Crawl at downtown bars raised more than $1,000 for cancer and AIDS research, while a Zombie-O-Rama in August featured a film night and crawl in San Jose. Inspired by those, Furia wondered, “Why not do a zombie run?”.
NEW YORK (AP) — Lou Reed, the punk poet of rock n’ roll who profoundly influenced generations of musicians as leader of the Velvet Underground and remained a vital solo performer for decades after, died Sunday age 71, Reed died in Southampton, N.Y, of an ailment related to his recent liver transplant, according to his literary agent, Andrew Wylie, who added that Reed had been in frail health for months, Reed shared a white ballet flats near me home in Southampton with his wife and fellow musician, Laurie Anderson, whom he married in 2008..
Reed never approached the commercial success of such superstars as the Beatles and Bob Dylan, but no songwriter to emerge after Dylan so radically expanded the territory of rock lyrics. And no band did more than the Velvet Underground to open rock music to the avant-garde — to experimental theater, art, literature and film, to William Burroughs and Kurt Weill, to John Cage and Andy Warhol, Reed’s early patron. Indie rock essentially begins in the 1960s with Reed and the Velvets; the punk, New Wave and alternative rock movements of the 1970s, ’80s and ’90s were all indebted to Reed, whose songs were covered by R.E.M., Nirvana, Patti Smith and countless others.
“The first Velvet Underground record sold 30,000 copies in the first five years,” Brian Eno, who produced albums by Roxy Music and Talking Heads among others, once said, “I think everyone who bought one of those 30,000 copies started a band!”, Reed’s trademarks were a monotone of surprising emotional range and power; slashing, grinding guitar; and lyrics that were complex, yet conversational, designed to make you feel as if Reed were seated next to you, Known for his cold stare and gaunt features, he was a cynic and a seeker who seemed to embody downtown white ballet flats near me Manhattan culture of the 1960s and ’70s and was as essential a New York artist as Martin Scorsese or Woody Allen, Reed’s New York was a jaded city of drag queens, drug addicts and violence, but it was also as wondrous as any Allen comedy, with so many of Reed’s songs explorations of right and wrong and quests for transcendence..
He had one top 20 hit, “Walk On the Wild Side,” and many other songs that became standards among his admirers, from “Heroin” and “Sweet Jane” to “Pale Blue Eyes” and “All Tomorrow’s Parties.” Raised on doo-wop and Carl Perkins, Delmore Schwartz and the Beats, Reed helped shape the punk ethos of raw power, the alternative rock ethos of irony and droning music and the art-rock embrace of experimentation, whether the dual readings of Beat-influenced verse for “Murder Mystery,” or, like a passage out of Burroughs’ “Naked Lunch,” the orgy of guns, drugs and oral sex on the Velvets’ 15-minute “Sister Ray.”.
An outlaw in his early years, Reed would eventually perform at the White House, have his writing published in The New Yorker, be featured by PBS in an “American Masters” documentary and win a Grammy in 1999 for Best Long Form Music Video, The Velvet Underground was inducted into the Rock and Roll of Fame in 1996 and their landmark white ballet flats near me debut album, “The Velvet Underground & Nico,” was added to the Library of Congress’ registry in 2006, Reed called one song “Growing Up in Public” and his career was an ongoing exhibit of how any subject could be set to rock music — the death of a parent (“Standing On Ceremony), AIDS (“The Halloween Parade”), some favorite movies and plays (“Doin’ the Things That We Want To”), racism (“I Want to be Black”), the electroshock therapy he received as a teen (“Kill Your Sons”)..