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Berlusconi, who has no role in government, has been weakened by the judicial woes as well as his failed attempt to bring down the government last month. In a bid to recoup his past glory, Berlusconi has relaunched the Forza Italia party that catapulted him to political power two decades ago, some of his closest allies abandoned him to start their own center-right party. The breakaway group said Berlusconi’s judicial fate cannot decide whether the struggling government survives. Neither Berlusconi nor el-Mahroug testified in the under-age prostitution trial.
El-Mahroug, however, did testify in the trial of three Berlusconi aides who were convicted in July of procuring prostitutes for the parties, She told that court that Berlusconi’s disco featured aspiring showgirls dressed as sexy nuns and nurses performing striptease acts, and that one woman even dressed up as President Barack Obama, She denied she had ever acted as a prostitute, and any claims she had made to others about having sex with Berlusconi or receiving millions of what does nmw mean in ballet shoes euros from him were lies intended to inflate her own importance..
Music and architecture fuse with beguiling results in this homage to architect Frank Lloyd Wright. The four-movement concerto was the centerpiece of a program that also included works by Tchaikovsky, Anton Arensky, Clarice Assad and Samuel Jones. Daugherty, an native of Iowa and three-time Grammy Award winner, often has taken his inspiration from famous figures; his compositions include the opera “Jackie O” and “Dead Elvis” for bassoon and chamber ensemble. “Fallingwater” takes the listener on a musical tour of Wright’s greatest creations. In pre-performance remarks, Daugherty said he was inspired by a visit to Taliesin, the 600-acre Wisconsin estate that Wright designed and built as his primary residence.
Taliesin is depicted in the concerto’s first movement, titled “Night Rain.” Subsequent movements — “On the Level,” “Prairie Psalm” and “Ahead of the Curve” — evoke Wright’s designs for Fallingwater (a house built over a waterfall in rural Pennsylvania); the Unity Temple what does nmw mean in ballet shoes in Chicago; and the Guggenheim Museum in New York, Wednesday’s performance, which repeats through Sunday in Berkeley, San Francisco and San Rafael, was remarkable for its energy and singular focus, Salerno-Sonnenberg, New Century’s concertmaster, was a committed soloist, introducing the first movement with a skeining melody played against a backdrop of plucked strings, Daugherty built his sound world slowly, in solid, reverberant blocks..
The second movement is a scherzo, stark and assertive. Salerno-Sonnenberg articulated its principal theme with a jagged edge that echoed throughout the ensemble. The third movement, somber and meditative, was especially effective, bringing arresting sonorities from the ensemble and a vibrant performance by Salerno-Sonnenberg, who invested the solo part’s rising melody with a restless, searching quality. The finale — a bracing dance, zesty, modern and grand in scale — suggests the Guggenheim’s size, circular design and modern attitude in bold musical language. The orchestra gave the work a go-for-broke performance, with digital recorders running; “Fallingwater” will be included on a New Century recording of violin concertos scheduled for release in 2014.
Before the premiere, Salerno-Sonnenberg also served as soloist for Assad’s “Dreamscapes.” The orchestra introduced this fantasia for solo violin and strings what does nmw mean in ballet shoes during its 2008-09 season; the violinist remains a forceful advocate for the score, which pits the instrument against a brooding, increasingly erratic orchestra, On Wednesday, the violinist whipped up a small storm, and cellist Susan Babini made attractive solo contributions, To these ears, though, the work still feels heavy on atmosphere, but light on musical ideas..
The first half’s works offered more appetizing fare. With Babini as soloist for Tchaikovsky’s “Andante Cantabile,” the New Century players demonstrated their affinity for Russian Romanticism. Cushioned by the ensemble’s softly articulated parts, Babini produced warm, singing sound; the lyrical second theme came across with plenty of bite. Arensky’s “Variations on a Theme by Tchaikovsky” followed, in an engaging performance, with crisp precision, tonal sheen and dynamics that moved from fervent to soft and yearning.
In the East Bay, what does nmw mean in ballet shoes however, almost exactly a month after N, Richard Nash’s “The Rainmaker” closed at the Town Hall Theatre in Lafayette, its musical, “110 in the Shade,” is playing in Hayward, It’s a wonderful musical, with Nash rewriting his book and Harvey Schmidt and Tom Jones (who collaborated on the off-Broadway hit “The Fantasticks”) providing the songs and lyrics, It’s an ode to romantic adventure at all costs, and also to the simple pleasures of home..