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“In the summer, a lot of these bands play massive festivals — especially in Europe, (and) they make a lot of money. Even in America, you are up against Outside Lands and Coachella,” Axelsen says. “For a holiday show, it’s less congested. It gives us more opportunity to flex our muscle and really bring in some behemoths — the juggernauts — of the genre.”. Still, many holiday show organizers work around the calendar to secure the talent needed for these shows.
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AMSTERDAM — She couldn’t resist. Singer Miley Cyrus smoked a joint on stage and twerked with a dwarf during the MTV EMAs on Sunday. The 20-year old pop star also took home the Best Video award for her hit song “Wrecking Ball” during a show with a strong lineup of other performers including Eminem and Katy Perry. Cyrus opened the space-themed show singing the song “We Can’t Stop,” while wearing a silver spandex suit and gyrating her buttocks in the move known as twerking in the general direction of her smaller female dance partner.
To the delight of the crowd in Amsterdam’s Ziggo Dome, Cyrus finished the number by sticking out her tongue, the same expression she flashed repeatedly during her eyebrow-raising appearance at MTV’s Video Music Awards in New York in August, After winning the top award at the end of the show, she celebrated by demonstratively lighting up a large spliff and quickly taking a puff, Marijuana is not legal in the Netherlands, pointe shoe decorating contest but smokers can’t be prosecuted for possessing small amounts and it is sold openly in cafes known euphemistically as “coffee shops.”..
Cyrus, who long ago shed her image of innocence as the child star of “Hannah Montana,” has made no secret of her appreciation of Amsterdam’s attractions, arriving the Friday before the show and hanging out at the Greenhouse coffee shop downtown with several other stars. She also wore marijuana leaf emblems in her earphones during a live rendition of “Wrecking Ball” against the backdrop of a giant video screen of herself crying. The EMAs traditionally focus on global, rather than U.S. pop music acts, though there’s a lot of overlap: winners included Bruno Mars, who grabbed Best Song for “Locked Out of Heaven,” and Eminem both in the Best Hip Hop and Global Icon category.
The “intergalactic”-themed show is scheduled to be rebroadcast in the U.S, later Sunday, Another notable winner pointe shoe decorating contest was Katy Perry for Best Female Artist, Perry, apparently caught by surprise at her win, spit out a sip of champagne and took the stage to thank her fans, During Perry’s performance earlier, she hung suspended by wires as green lasers reflected off her mirrored outfit during a rendition of “Unconditional.”, Eminem, who has just released his first album in several years, appeared to have lost none of his rapping skill as he performed “Rap God,” spitting out words at a blistering pace..
Lady Gaga, “Artpop,” Streamline/Interscope, ** 1/2. “Do you wanna see the girl who lives behind the aura?” Lady Gaga asks us at the beginning of her third studio album, amid cutting Eastern rhythms and swirling synthesizers from co-producers Zedd and Infectious Mushroom. The look throughout “Artpop” is not particularly revealing, however. The same Gaga we know (and many love) from “The Fame” and “Born This Way” is still in control here, celebrating empowerment, seeking sexual salvation, winking with occasional self-deprecation, parodying pop culture iconography (including fashion maven “Donatella” Versace) and always playing for the “Applause” of the 15th and final song of this hour-long romp. The familiarity breeds more comfort than contempt, though. Gaga, working primarily with DJ White Shadow, pushes herself into subtly edgier EDM directions on “Aura,” “G.U.Y.” and “Swine.” On “Jewels n’ Thugs” she lays calming melodic vocal hooks amidst the verbal spitfire of T.I., Too $hort and Twista, while “Sexxx Dreams” builds into chill ambiance and “Fashion!” leans toward ’80s dance-pop a la Madonna’s “Holiday.” “Manicure” fuses glam rock flavors with club beats, the lifestyle anthem “Gypsy” boasts the bombastic drama of a Meat Loaf/Jim Steinway song and “Dope,” the set’s lone ballad, has the boozy wobble of a Brecht/Weill composition. Gaga tells us that “my Artpop could mean anything,” and she certainly applies it in many different directions here — though not with the same provocative results as its predecessors.
Various Artists, “Inside Llewelyn Davis: Original Soundtrack Recording” (Nonesuch): ***, T Bone Burnett is something of a trademark of quality — especially when he’s working on rootsy soundtracks for filmmakers Joel and Ethan Coen, This is no exception, creating a repertoire for the fictitious folk singer of the title with rich performances mostly by star Oscar Isaac, though co-stars Justin Timberlake and Carey Mulligan turn in a moving rendition of “Five Hundred Miles” — with Mulligan’s husband, Marcus Mumford, on guitar, Other top-shelf musicians turn out to help, including Dave Van Ronk, Buddy Miller, David Mansfield, Norman and Nancy Blake and Gillian Welch, while the set also includes Bob Dylan’s pointe shoe decorating contest previously unreleased “Farewell.” This Davis kid’s got some potential..