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“I was just amazed at the diversity of experiences we were able to have under him,” recalled former student Michael Caldwell, now a university music professor. “He did it all and he did it very well. The school district was getting three employees for the price of one.”. He went beyond the curriculum to model character, and he enforced his high standards with tough love. Caldwell recalls once sneaking into the back of the room after class had started by hiding behind his friend, a tuba player. He only realized his cover had been blown when Cross docked his grade.
“I thought I’d gotten away with it — and that was the only time I was late for anything,” Caldwell said, Those late to a dress rehearsal or performance experienced similar consequences — no exceptions, Cross’ son lost his chance at a perfect report card when he straggled into a practice after his ride sprung a flat tire, and trumpet student Rob pink glitter ballet flats Dehlinger had to cancel a professional gig after discovering that it conflicted with a school practice session, “I bought myself a calendar after that,” he laughed..
But Cross’ strict ways didn’t undermine the respect and loyalty he inspired. “It never felt punitive or mean,” Caldwell said, explaining that he and his peers knew their teacher cared about them. Jennifer Wharton only had Cross for 18 months, but his belief in her was life-changing. He persuaded her to take up the trombone again after she’d dropped it to become a cheerleader, and she credits him with giving her the confidence to pursue a music degree. “He was the only adult in my life who said, ‘Yeah, you’re good enough,’ ” said Wharton, who went on to graduate from the prestigious New England Conservatory of Music and next month will play in her seventh Broadway musical.
Given that the Bay Area is home to one of the most highly acclaimed orchestras and conductors of Baroque era music, some of the liveliest music one can encounter can be heard right here with our Philharmonia Baroque, whose members perform on either authentic Baroque-period (pre-1750) instruments, or historically faithful copies, Now world-renowned, Philharmonia Baroque has been conducted by Nicholas McGegan since 1985, But it’s not only the Baroque music that pink glitter ballet flats attracts so many audiences, It’s also McGegan’s basic performance philosophy, which he infectiously transmits to his audiences, He once told me, in his cheerful British accent, “Neither I nor our musicians consider great music Prozac for the soul, We are not selling (performance) correctness, we’re selling excitement, Our audiences sense this.”..
While McGegan himself will not be conducting this month, he has guest conductor Steven Fox on the podium for a program of music from infrequently heard Russian composers called “Music from Imperial Saint Petersburg.” Fox, a New York City native, studied music at the Horace Mann School before going on to study music and Russian at Dartmouth College. His next stop was London’s Royal Academy of Music, after which he traveled to Russia and founded that country’s first period-instrument orchestra, Musica Antiqua, in St. Petersburg. He has given master classes in historical performance at Yale, Dartmouth and the Juilliard School and has been named artistic director of Clarion Music Society in New York. He has also received wide acclaim for both his conducting and his singing. A tenor, he has performed as soloist for Musica Sacra, TENET, the Cathedral Church of St. John’s the Divine’s Choir and Pomerium.
Works on Philharmonia’s upcoming concerts will be Maksym Berezovsky’s Symphony in C major (considered the first symphony composed in Russia); a selection of arias by Mikhail Glinka as arranged by Rimsky Korsakov, with English soprano Anna Dennis as soloist, and the pink glitter ballet flats Concerto for Violoncello in D minor, Op, 3, by Johann Facius, with Tanya Tomkins as soloist, Works by Fomin and Bortniansky are also on the program, Details: 8 p.m, Nov, 15 at SFJazz Center, San Francisco; 8 p.m, Nov, 16 and 7:30 p.m, Nov, 17 at the First Congregational Church, Berkeley; 8 p.m, Nov, 19 at the Center for Performing Arts, Atherton; $25 -$93; 415-392-4400 or www.cityboxoffice.com..
A native of Cedar Rapids, Iowa, Daugherty is the oldest of five brothers, all professional musicians. He has degrees from the University of North Texas, the Manhattan School of Music and Yale University and has studied computer music with Pierre Boulez at IRCAM in Paris and with György Ligeti in Hamburg. He first achieved international attention after his “Metropolis Symphony” was performed at Carnegie Hall by the Baltimore Symphony, conducted by David Zinman. Salerno-Sonnenberg will also perform Clarice Assad’s “Dreamscapes,” a work she has performed previously to positive reviews.
Other works on the program are Tchaikovsky’s lyrical “Andante Cantabile,” with Susan Babini as cello soloist; Anton Arensky’s exquisite “Variations on a Theme of Tchaikovsky” and Samuel Jones’ “Elegy.”, Details: 10 a.m, Nov, 19 at the Kanbar Performing Arts Center, 44 Page St., San Francisco (an open rehearsal); 8 p.m, Nov, 20 at the Mountain View Center for Performing Arts; 8 p.m, Nov, 22 at the First Congregation Church, pink glitter ballet flats Berkeley; 8 p.m, Nov, 23 at the Yerba Buena Center for the Arts, San Francisco; and 5 p.m, Nov, 24 at the Osher Marin JCC, San Rafael; $29-$59; 415-392-4400, 650-903-6000 for Mountain View; www.ncco.org..