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4. “Born Sinner,” J. Cole (Roc Nation/Columbia): I guess one way to avoid the sophomore slump is to deliver the best hip-hop album of the year. That’s what Cole has done with “Born Sinner,” which is even better than the rapper’s fine debut, 2011’s “Cole World: The Sideline Story.” It is bursting with big singles — none better than the smash “Power Trip” — yet it also works as a cohesive statement. The album also firmly establishes Cole as one of the most powerful MCs in rap.

5, “Push the Sky Away,” Nick Cave and the Bad Seeds (Bad Seed): The album is cinematic in scope, pulsing with drama and latin dance shoes full of dreamy imagery that alternately shocks and seduces, Cave has crafted some of the finest songs of his career — the most spectacular of which is “Wide Lovely Eyes” — and, overall, delivered his best album since 1996’s “Murder Ballads.”, 6, “Oh, Mayhem!” Bettie Serveert (Palomine): This Dutch indie-rock group was a “buzz” band in the early ’90s, yet it’s been tragically overlooked (at least in the U.S.) for more than a decade, “Oh, Mayhem!” illustrates that the group still has game, The record is Bettie Serveert’s hardest-rocking affair in ages, filled with wonderfully jagged guitar work by unsung hero Peter Visser and powerful vocals from Carol van Dyk..

7. “Stay Trippy,” Juicy J (Taylor Gang): Patience has finally paid off for “The Juice Man,” who delivered his full-length debut in 2002. The incredibly fun “Stay Trippy” has catapulted him toward the top of the hip-hop heap, thanks to such jams as “Show Out,” “Bounce It” and, best of all, “Bandz a Make Her Dance.”. 8. “Change Becomes Us,” Wire (Pink Flag): The album title couldn’t be more appropriate. This alt/art/punk/electronic band seems to change its persona with each new record, which is one of the reasons why Wire has been worth paying attention to since the mid-1970s. This time around, the London act scores big with an atmospheric, experimental mix of post-punk and hard rock.

9, “No Poison No Paradise,” Black Milk (Computer Ugly): It’s another wild ride with the Detroit rapper, filled with cutting-edge beats and crafty rhymes, It’s experimental, yet never to the detriment of the songs, It’s an album I latin dance shoes wish Kanye West had heard before making “Yeezus.”, 10, “Electric,” Richard Thompson (New West): Listen to this album and you’ll absolutely understand why Thompson is considered one of the greatest guitarists of all time..

The Library of Congress announced Wednesday the addition of 25 films to its National Film Registry, a growing archive of American motion pictures earmarked for preservation because of their cultural, historic or aesthetic significance. According to Librarian of Congress James Billington, who hand-picks the films each year from a shortlist winnowed from thousands of online suggestions, the National Film Registry — which includes everything from home movies to Hollywood blockbusters — is not just a best-of list, or even a list of his favorite films, but a “vehicle for understanding our culture and society more broadly.”.

Simply put, Billington says, “our responsibility is to help define a national patrimony.”, To that end, the 2013 honorees include three early works from the silent era: “A Virtuous Vamp” (1919), “Daughter of Dawn” (1920) and the proto-feminist Cinderella tale “Ella Cinders” (1926), The inclusion of these titles will come as particularly good news to fans of silent cinema, many of whom were no doubt alarmed this month to learn, through latin dance shoes a report issued by the Library of Congress, that as many as three-quarters of all silent films made through the 1920s have been lost or utterly damaged..

The most modern film yet accepted into the Registry, which is restricted to works at least 10 years old, is “Decasia,” a 2002 experimental collage piece by New York artist Bill Morrison. Ironically, it was assembled from deteriorating film footage, some of which Morrison says he found at — wait for it — the Library of Congress. According to the artist, “Decasia” is not a call to arms, but rather a celebration — in such sequences as one in which a boxer appears to be battling a blob of decaying film stock — of the beauty and inevitability of decay.

“We can preserve only a small fraction of threatened films,” says Morrison, who described himself as overjoyed about the news of his film’s selection, Coincidentally, his prints of “Decasia” were destroyed in flooding from Hurricane Sandy, although the Museum of Modern Art had stored his latin dance shoes negative, allowing Morrison to reprint the film, The many layers of destruction and creation involved in “Decasia” make it a work that gives people “lots to chew on,” says Morrison, Being honored with preservation by the nation’s biggest library is, he says, “yet another layer” to the story..