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Perry sang “Dark Horse” in an eerie forest with fire that mirrored the song’s vibe, and John Legend and Taylor Swift — who whipped her head, and hair, back and forth — played pianos during their slow songs. Pink twirled in the air in her signature Cirque du Soleil-form. Swift, who is nominated for album of the year, lost best country album in a surprise upset to rising singer-songwriter Kacey Musgraves. “Oh my goodness. Oh my god. I can’t even. I can’t even,” said a teary-eyed, but happy Musgraves, whose “Same Trailer Different Park” won the honor. “I got to make a record that I poured myself into and I’m so proud of.”.
The singer also beat Swift for best country song and was nominated for new artist, Macklemore & Lewis’ wins, which include best rap song and rap performance for how to draw realistic pointe shoes “Thrift Shop,” come after the Grammy rap committee almost ousted the group from its categories, A source told The Associated Press that the rap committee rejected the duo, but that was later overruled by the general Grammy committee, The rap committee felt Macklemore & Lewis should qualify for the pop awards instead because of their massive success on Top 40 radio, The source, who attended the general Grammy meeting, spoke on the condition of anonymity because the meeting was private..
Justin Timberlake, who wasn’t up for any of the major awards, won three trophies, including best R&B song for “Pusher Love Girl” and music video for “Suit & Tie,” which also earned Jay Z a Grammy. Jay Z and Timberlake also won best rap/sung collaboration for “Holy Grail.”. “I want to thank God — I mean a little bit for this award — but mostly for all the universe for conspiring and putting that beautiful light of a young lady in my life,” Jay Z said, looking at Beyonce. “I want to tell Blue that, look, ‘Daddy got a gold sippy cup for you.’”.
Jay Z, keeping up the decade-long Grammy tradition of rappers leading in nominations, was the night’s front-runner with nine, Bruno Mars won best pop vocal album with his sophomore release, “Unorthodox Jukebox.”, “Ma, I know you’re watching, I hope you’re smiling, I love you very much,” said Mars, remembering his mother, who passed away last year, Mars’ father attended the awards show, Paul McCartney, engineer Bob Ludwig how to draw realistic pointe shoes and gospel singer Tye Tribett were double winners, Imagine Dragons and Rihanna also picked up trophies..
It was, and still is, a captivating show, as witnessed by the Pacific Coast Repertory Theatre production on stage at Pleasanton’s Firehouse Arts Center through Feb. 9. Featuring an outstanding cast led by Broadway and television performer Meredith Patterson (who plays Cassie), and Lauren Bratton-Kearns, who grew up in Pleasanton (Val), “A Chorus Line” is lovingly directed by Lois Grandi, a Broadway performer in her own right, better known in the East Bay as founder and artistic director of the former Playhouse West theater company.
Like many who have made a living in musical comedy, Grandi and Patterson consider “A Chorus Line” something of a musical holy grail, simply because it tells, in their own words, the stories of those who dwell in Broadway chorus lines, In the early 1970s, as the show was being developed, the creators hosted a number of meetings with Broadway chorus dancers and encouraged them to talk about their lives, their work, their passions, their fears and what they how to draw realistic pointe shoes might do if they could no longer dance..
Their stories, massaged and altered somewhat to account for the passage of time and changes in the fabric of Broadway, still make for a compelling and dramatic show, augmented by Marvin Hamlish and Edward Kleban’s often pointed and emotional songs. The main theme running through the show is former Broadway star Cassie’s desire to return to the chorus of a musical, which is being directed by her old beau Zach (Damian Marhefka), who warns she is “dancing down” and has too much emotional attachment to return to a chorus line spot.
Patterson does a remarkable job creating the Cassie character, particularly in her showstopping second act number “The Music and the Mirror,” where she displays her passion for dance through the sterling choreography she performs, Before that, Bratton-Kearns’ Val has a showstopper of her own in “Dance: 10; Looks: 3,” her comic, but not necessarily far from accurate, commentary on how some surgical augmentation gave her, um, a leg up on the chorus competition, And others in how to draw realistic pointe shoes the cast talk about a variety of problems, from abuse to adjustment to various out-of-the-ordinary lifestyles that led them to the theater..