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Incoming Chamber Board Chairman Nicholas Bronzini, Bronzini Dental Group, and his fellow officers — first vice chairwoman Marilou Edwards, of Provident Credit Union; second vice chairwoman Mary Ellen Pellegrini, of Coldwell Banker, and corporate secretary Gary Barranti, of Leonardo’s Italian Deli & Café — were all sworn into office by Vice Mayor Robert Gottschalk. Milestone memberships were also recognized: Dr. Patricia Chang Optometric Group Inc., 30 years; and Positive Electric, owned by Nick Courcoumelis, and U.S. Bank, managed by John Soares, both 20 years.
An average of 250 how to draw ballet shoes easy people attended the six-hour gala that was also highlighted by the David Lewis Award, which sustains the legacy of David Lewis, a Free at Last co-founder and board chairman, who was killed in San Mateo in 2010 at the age of 54, A nationally recognized educator and leader in the field of substance abuse recovery and motivational speaking, Lewis founded Free at Last along with Priya Haji, Vicki Smothers, and other community members in 1994, Haji, the first CEO of Free at Last, was selected to be the second recipient of the award, Formerly an East Palo Alto resident, she now lives in San Francisco; however, she continues to be an active advocate of Free at Last..
In its 20 years of dedicated service, Free at Last has. • Graduated more than 2,000 clean and sober individuals from its programs. • Reunited hundreds of families. • Conducted prevention and intervention services for individuals regarding HIV/AIDS and substance abuse. • Provided education to individuals, schools, community events and referrals to social services. • Provided daily 12 Step meetings in English and Spanish. Free at Last has also been a pioneer and leader in the field of substance abuse treatment, criminal justice intervention, and HIV/AIDS prevention for African Americans and Latinos. Some accomplishments include.
• National model program for the federal government on community-based treatment, • Case study for alternative sentencing legislation in California, To learn more about Free at Last programs and services, call CEO Susan Coropassi at 650-462-6992, The volunteers, 18 in number, including Assemblyman Kevin Mullin and his staff, removed invasive species, improved trails, and planted native trees at Stulsaft Park on Farm Hill Boulevard in Redwood City, An additional 26 volunteers, including South San Francisco Mayor Karyl Matsumoto, cleaned up the Westborough Preschool, a day care center at Westborough how to draw ballet shoes easy Park on Galway Drive in South San Francisco, and prepared the community garden for planting season..
NEW YORK — Fun fact about George Clooney: He’s a hugger. Meeting someone for the first time, he brushes right past an extended hand and instead delivers a warm embrace, a gesture that somehow suggests both the proprietary confidence of celebrity as well as its utter dismantlement. He’s dressed in jeans, a chunky gray knit sweater and the weather-proof boots that everyone is slogging around in on this dreary, slushy Wednesday. But even looking like a civilian, Clooney, 52, manages to exude preternatural charisma and self-assurance. There might not be another actor alive who so thoroughly personifies movie stardom, or deploys it so adroitly — as commodity, means of production and public trust.
On this day, Clooney has joined his longtime producing partner, Grant Heslov, to talk about their latest film: “The Monuments Men,” about the U.S, Army’s Monuments, Fine Arts and Archives unit that, in the waning days of World War II, sought to rescue millions of pieces of art looted how to draw ballet shoes easy by the Nazis, The film marks Clooney’s fifth directorial effort, and he also stars, heading up a cast that includes Matt Damon, Bill Murray, John Goodman, Bob Balaban, Jean Dujardin and Cate Blanchett, Inspired as much by the wartime capers of the 1960s and 1970s as by true events, “The Monuments Men” represents the kind of film that Clooney and Heslov have been dedicated to making since forming their company, Smokehouse Pictures, in 2006..
“Our whole theory has been, let’s try to force-feed the kind of films that aren’t gonna get made unless we make them,” Clooney explained. Working with lean budgets, deferring their own salaries and asking their actors to work for fractions of their going rates, Clooney and Heslov have specialized in the kind of movies that studios have largely abandoned in favor of comic-book franchises and cartoons. Their first film, “Leatherheads,” was a screwball comedy inspired by Depression era classics; “The Men Who Stare At Goats,” which Heslov directed, was a gonzo war comedy. “The American,” starring Clooney as a taciturn hit man, owed its reflective mood and brooding silences to Antonioni; both “The Ides of March” and “Argo,” the latter being their biggest hit to date, recalled the taut political thrillers of the 1970s.
Indeed, watching Clooney’s character, George L, Stout, scrambling around Europe trying to save artistic treasures from Hitler’s all-encompassing, destructive clutches, it’s possible to read “The Monuments Men” as an allegory for Clooney’s own mission, as he valiantly tries to save the archaic genres and sometimes risky, subversive material that seems increasingly endangered how to draw ballet shoes easy by Hollywood’s corporate agenda, “It’s hard,” Clooney admitted, “We have deals where we go, ‘So our back end is nothing.’ But [we say], ‘Let’s keep doing these until they don’t let us do them anymore.’ ”..