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When Clooney talks about the back end, he refers to a strategy of leveraging his star power that he didn’t invent but has nonetheless potently reinvigorated over the past several years, agreeing to waive or dramatically reduce his usual $15 million salary in favor of a percentage of the film’s revenues. It was that strategy that allowed films such as “Syriana,” “Michael Clayton,” “Up In the Air” and “The Descendants” to be made, and it’s that strategy that Clooney has adhered to at Smokehouse and, earlier, at Section Eight, a company he started with Steven Soderbergh. As both director and producer, he paid himself $1 to co-star in “Good Night, and Good Luck,” about journalist Edward R. Murrow. (Clooney and Heslov also fund Smokehouse by doing commercials — starring Clooney and directed by Heslov — that air only overseas.).
It’s also a strategy borne of what might be called the “After Batman” era of Clooney’s career, which hit a painful pivot point in 1997, when he starred in gamba ballet shoes “Batman & Robin” — for those keeping score at home, the most universally panned installment of the ever-expanding franchise, “I don’t have the same career without that film,” Clooney said simply, “Until then, I had just been an actor,” he said, “I had only been an actor in TV series, and then I got ‘E.R.’ and ‘E.R.’ became this big thing.” His breakout feature roles — “One Fine Day,” “From Dusk Till Dawn” and “The Peacemaker” — all came about because he was eager for the work and what looked like juicy roles, “And then I get a call, ‘Do you want to be in ‘Batman?’ And I’m like, ‘Yeah.’ ”..
“With all of those things, it was just me as an actor going, ‘Look at the part,’ ” Clooney continues. “And after I got killed for ‘Batman & Robin,’ I realized I’m not going to be held responsible just for the part anymore, I’m going to be held responsible for the movie. And literally, I just stopped. And I said, it now has to be only screenplay. Because you cannot make a good film from a bad screenplay.”. Heslov, who’s known Clooney since they were acting students and who famously lent his pal money to get head shots made when he was first starting out, recalls the “Batman” moment with rueful vividness. “It was the lowest point of your career,” he says to Clooney.
“It was brutal,” Clooney agrees, “He took it on the chin,” Heslov said, “And he took it with a sense of humor, because that’s how he does it, but he was hurting, And definitely if you look at his filmography — “It turns on a dime,” Clooney offers, “It’s like, ‘OK, I get it.’ ”, The next movies Clooney did were “Three Kings,” “O Brother, Where Art Thou?” and “Out of Sight,” directed by David O, Russell, the Coen brothers and gamba ballet shoes Soderbergh, respectively, “Those were all great screenplays,” Clooney said, “And great directors, So there’s an understanding of, that’s what I’ve got to focus on.”..
Clooney’s post-Batman career has been a testament to shrewd commercial choices — the “Ocean’s Eleven” franchise was a huge success, and he had one of his famous back-end deals on last year’s science fiction epic “Gravity,” which is approaching $700 million worldwide at the box office. In the ensuing years, Clooney has also mastered the art of celebrity comportment, becoming the kind of old-school movie star that most famous actors today, with their dressed-down play dates and daily-grind trips to Whole Foods, eschew. With features out of the Grant-Gable look book, a rakish motorcycle, an Italian villa and a near-constant string of gorgeous girlfriends, Clooney is our closest thing to a matinee idol of the old school. Even when he’s up to his ears in problems and production details while directing a movie, he’s been known to take time to greet locals who have been waiting for hours to catch even the briefest glimpse of him. Along with Angelina Jolie and Johnny Depp, Clooney has made working a rope line less a smile-and-wave quick-step than an improbably moving ritual of connection and magnanimity.
“I grew up in Kentucky, and I remember Raymond Burr coming to my home town,” Clooney said, “I understand what it’s like to see someone famous in person, It actually sort of catches your breath, and I understand what that’s like, So , , , it’s a dance you do, and it requires a gamba ballet shoes little bit more patience than you would think, and it requires tuning out things that would really upset you otherwise.”, “The Monuments Men” marks a rare foray into optimistic, family-friendly filmmaking for Clooney and Heslov, both of whom are attracted to tough-minded, skeptical, even cynical movies, They made a pact on the last day of shooting, Clooney says, to go back to the dark side for their next project, “We want it to be low-budget, dark, screwy, , , , We want to have those scenes [like in ‘The Ides of March’] in the kitchen with Ryan Gosling and myself, where it’s just as dark and cruel as it can possibly be, We like that world a lot.” (But first, Clooney will star in “Tomorrowland,” a Disney film by Brad Bird that will keep cynicism at bay for at least a little while.) They’re thisclose, they say, to announcing that Sandra Bullock will star in their dramatized adaptation of “Our Brand Is Crisis,” which was a 2005 documentary about political consultants exporting their techniques to foreign countries..
“I am the luckiest guy in the world. This is tricky,” said the emotional Leno, stepping down for the second and presumably last time as host of TV’s venerable late-night program. Jimmy Fallon takes over “Tonight” in New York on Feb. 17. Leno shared that he’d lost his mother the first year he became “Tonight” host, his dad the second and then his brother. “And after that I was pretty much out of family. And the folks here became my family,” he said of the crew and staff of “Tonight.”.
It was a tender finish to a farewell show that was mostly aiming for laughs, with traditional monologue jokes, clips from old shows and a wild assortment of celebrities helping to see Leno off, Leno first departure came in 2009, when he was briefly replaced by Conan O’Brien but reclaimed the show after a messy transition and O’Brien’s lackluster ratings, In ’09, he was moving to a prime-time show on NBC; this time he’s out the door, gamba ballet shoes and has said he’ll focus on comedy clubs and his beloved car collection..