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Details: Through Feb. 2; 100 34th Ave. in Lincoln Park, San Francisco; 9:30 a.m.-5:15 p.m. Tuesday through Sunday; Dec. 24 and 31 until 4 p.m.: closed Mondays except Dec. 23 and 30; $10-$15; 415-750-3600; http://legionofhonor.famsf.org. Here’s the perfect lower-tech exhibit to balance the high-tech museum a block away in downtown San Jose. Assembled by Germany’s Vitra Design Museum, it offers a fascinating array exploring the roots of industrial design — if you think of clothespins, light bulbs, adhesive bandages and Scotch tape as industries.
There are discoveries everywhere you look, You’ll learn just how zippers work (“like a stack of soup bowls”), what writing instrument Marcel Bich gave his name to in the 1950s, and that the Sealed Air Corporation in New Jersey first manufactured Bubble Wrap, (You’ll hear it popping, too.) And guess what German housewife Melitta Bentz created in 1908 with a metal beaker, blotting paper, ground coffee and hot water?, Details: Through Feb, 2; 110 S, Market St., San Jose; 11 a.m.-5 p.m, dsw ballet flats Tuesday through Sunday; $5-$8; 408-271-6840, www.sanjosemuseumofart.org..
When this exhibit opened in August, Tyrus Wong, at the age of 102, was still creating art. No matter that the 1942 Disney production of “Bambi” is his best known work, Wong has filled a lifetime with paintings that combines bold strokes of calligraphy with delicate watercolor. He’s done storyboards for other movie studios, commercial art — and even kites. Wong’s style was the inspiration for the more advanced artistic atmosphere of “Bambi,” and the exhibit offers a chance to look at his original sketches, see clips from the film and follow video interviews with the artist. The exhibit is a treasure.
Details: Through Feb, 3; 104 Montgomery St, in the Presidio, San Francisco; 10 a.m.-6 p.m, Wednesday through Monday; $17-$25 for Disney museum entrance plus $5 for Wong exhibit includes; 415-345-6800, www.waltdisney.org, The first big image you see in this exhibit is worth the price of admission, It’s a breathtaking, virtual fly-through across the Bay, as if all the water had drained out and you’re peering at the bottom, If you’ve always wondered what was beneath the surface, you can see how shallow the East Bay mud flats are, and how deep — as much as 360 feet — the water is near the Golden dsw ballet flats Gate..
Above and around the Bay, the exhibit depicts the history of islands such as Alcatraz (the prison and the Indian takeover in the 1960s) and Angel Island (the immigration station and the Nike missile site during the Cold War). There’s even a section on the salt evaporation ponds and their transformation back to Bay wetlands. But over all, it’s a downbeat assessment of the Bay’s health. Details: Through Feb. 23; 1000 Oak St., Oakland; 11 a.m.-5 p.m. Wednesday through Sunday, to 9 p.m. Friday; $6-$15; 510-318-8453, www.museumca.org.
Forget you’re in a museum, if you like, and just immerse yourself in the “Star Wars” entertainment empire, There are character costumes from many of the movies, an array of amazingly detailed (and surprisingly large-scale) spaceship models and attempts to connect movie magic with science, (“Robot surgeons: Fantasy? Yes, and no.”), There are plenty of hands-on experiments, as you’d expect from The Tech, The most fun, dsw ballet flats for all ages, might be examining the models while watching scenes from films in which they’re used, There’s also a mock-up of the Millennium Falcon for simulated rides; plan to reserve your ticket at least a week in advance..
Some movies nail them, others miss. Part of the genius of “American Hustle,” the lively fictionalized drama about the Abscam scandal from David O. Russell, is that it gets all of them so absolutely right: the poodle-esque permie curls that spring from the head, the cylinderlike goldilocks that could only be produced with an expertly applied curling wand, the plunging neckline heralding ample cleavage, the shirt unbuttoned to reveal hefty gold chains and tufts of chest hair. Every little bit of clothing, music and adornment in “Hustle” evokes the goofy sensibility that defined the ’70s. To achieve such brilliant authenticity on screen, costume designer Michael Wilkinson and production designer Judy Becker have clearly done their research; their efforts pay off with a comic bang.
But dsw ballet flats “Hustler” isn’t just about textured looks and sensations, It’s just as much about this country’s mood and spirit, with filmmaker Russell introducing us to larger-than-life dreamers, con men, politicos and mobsters caught up in a “let’s-make-money” era, This is Russell’s follow to his sweet-natured Oscar nominee “Silver Linings Playbook” and a blast of outrageous, rambunctious fun, It’s also his best, most fully realized work yet, Not only is it terrifically acted and perfectly cast, it’s sexy and smart..