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“He seems like a very energetic, happy guy but by the second act things start getting a little darker,” Rakhshanifar said. “He’s an alcoholic; he has a daughter he hasn’t seen in three years. He goes from singing really upbeat songs to ballads.”. Rakhshanifar said there are a lot of strong performers in the show. “It’s very believable,” he said. “All the actors … can relate to their characters in a way that’s very entertaining for the audience.”.
“It’s a perfect mix between comedy and reality,” he said, Meanwhile, Bryan Ringsted, theater teacher at Leigh High School and co-producer of the musical do pointe shoes hurt Cats, describes the show as a “Cirq du Soleil-esq spectacle of a musical.”, “There’s a plot but it’s very simple,” he said, Elizabeth Neipp directed and choreographed the dance-heavy show, About 30 students are performing while another 10 students are helping out backstage, Ringsted said, The orchestra is a made up of student and adult musicians, and the show’s technical elements are mostly provided by students..
Cats is challenging in some ways but easy to pull off in others, Ringsted said. There is a lot of challenging choreography, and the lighting is complicated. However, the show requires very little in terms of set pieces. “Cats is no easier or more difficult [than other shows] … just different,” Ringsted said. “We try to change the challenges for students all the time so they learn different things.”. Senior Sara Grace Kelly plays Grizabella, the Glamour Cat, while senior Nick Canepa plays Mungojerrie.
Kelly sings “Memory,” one of the most well-known musical theater songs of all time, “It’s a lot of pressure because I feel like everybody’s going to come see the show and expect it sung a certain way,” she said, Kelly do pointe shoes hurt said is still experimenting with character choices during the song, “I think it’s kind of fun because I’ve always loved musical theater and seen that movie Cats as a kid and wanted to sing that song on stage, Being able to do that is really cool,” she said..
Canepa said the music is particularly well written, and the audience will enjoy seeing the actors’ costumes. The iconic cat costumes, which were rented from another theater, involve white unitards underneath costumes that Kelly likened to “painted wetsuits.” The actors also wear snap-on tails, wigs and ears. Canepa said the actors break the fourth wall and address the audience on multiple occasions. “Everyone should see the show at least once,” Kelly said. Cats will be performed March 21 and 22 at 7:30 p.m. at Leigh High School. Tickets are $15 in advance or at the door. To reserve seats, email firstname.lastname@example.org.
Gustavo Dudamel and the Los Angeles Philharmonic have decided to correct the state of affairs by taking the work on their North American tour, which opened Tuesday at Davies Symphony Hall, The performance was immensely powerful, visceral, whipping do pointe shoes hurt between tender agonies and hammer blows, After a quarter century, Corigliano’s opus can stand as a universal commentary on life and fate — and Dudamel, cagily, packaged it with Tchaikovsky’s Symphony No, 5, with which the Russian expressed his own feelings of “complete resignation before Fate,” as he once explained..
(A second program, featuring Brahms’s Symphony No. 2 and Rachmaninoff’s Piano Concerto No. 3, with soloist Yuja Wang, was scheduled for Wednesday.). At Tuesday’s program, part of the Great Performers Series presented by the San Francisco Symphony (which is off on its own tour), Corigliano’s overlooked opus was the news. With its wide canvas and tightly woven narrative — a musical analogue to the Names Project AIDS Memorial Quilt that inspired the composer — it is a showcase for orchestra. In his fifth season as music director, Dudamel, 33, grabbed the opportunity; he and his 108 musicians gave a bravura performance.
It announced itself with swarming string effects, wildly buzzing, Where do pointe shoes hurt could it possibly go from here? To chattering trumpets, whooping horns, screaming high winds: howls and slashes, a pummeling drumbeat, like the march of time — and then a gentle tango for piano, drifting in from offstage (where it was wistfully played by Joanne Pearce Martin.), This transcription of “Tango” by Isaac Albeniz (a favorite piece of a pianist and friend of Corigliano’s, who died of AIDS) fades in and out of the long opening movement, titled “Of Rage and Remembrance.” Later, the composer engineers a single dissonant chord that takes over the orchestra, incessantly repeating and gradually slowing; Tuesday, it sounded like a ravaging monster, or a metaphor for disease..