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Staying scrape- and injury-free while skating was just too much to handle. “She’s like, ‘You have to keep your knees nice. When you get scabs on them from falling, nobody wants to look at that,’” she said. “So I was like, ‘Yep, modeling’s done.’ ”. Eventually, it came down to making a choice between hockey and skating. “My dad used to coach me [in skating] when I was younger,” Smith said. “He’s the one who was thinking ‘Let’s put you on hockey skates and then you can get some agility and speed for your fast starts.’ So then I started doing open sessions with my dad. Then, all of a sudden, next thing I know, I’m like, ‘I want to play hockey.’ ”.
Her hockey career took her all over the northern United States and Canada before she finally had to give it up, “I got into the hockey thing and I was in a girls’ and a guys’ league for a few years, traveling through Canada and stuff,” she said, “Next thing I know, it’s like, demi pointe shoes ‘You’ve got to choose, Are you going to inline and make it to that next step, or are you going to do hockey?’ So I decided to keep going with inline – I like to do a sport that’s not so team-oriented.”..
But, after reaching the top of the inline skating world, Smith had to give up the sport in which she competed in her first race at age 2. “I was on inlines for 25 years,” she said. “I had my first pair of skates on at 1 and my first competition at 2. It wasn’t a race, but it was a race. I was just waddling off the line. But it was pretty good – people were impressed.”. Simply put, inline skating wouldn’t get Smith to the Olympics. So she switched from the track to the ice and moved to Utah to pursue her dreams.
“I decided to pursue my final goal and dream of becoming an Olympian,” she said, “The only way to do it was to make the switch, so I ended up coming over to the ice and trying to live the dream.”, In making the switch, Smith followed in the demi pointe shoes footsteps of some of her idols and mentors who also made the switch – Chad Hedrick, Jennifer Rodriguez and Derek Parra, She immediately noticed one big difference between the sports, “Inline is aerobic – you can get away with a lot just by keeping your feet moving and keeping your body moving,” she said, “But for ice, it’s anaerobic, You get that lactate feeling building up and it’s hard to push through it.”..
Though she was successful on the ice, she found herself on the outside looking in when it was time for the 2010 Vancouver Winter Olympics, where she was named an alternate on the short-track team. “I was a little devastated,” she admitted. “I’ve always put my mind to setting up goals and I’ve always achieved them – from the very first Junior Worlds team I made on inlines. I was feeling good about making that team in 2010, but I fell short.”. But, she managed to turn a negative into a positive, refocusing on her sport and chasing the 2014 Olympics.
“After I got over it for a day or two, I sat back and thought about it and it’s like, ‘Did I really want to go to the Olympics and be mediocre?’ No, I want to go there and be the best I can possibly be,” she said, “I know, in 2010, I definitely wasn’t at the level I needed to be at in order to compete with the best of the best.”, Now she is a three-time World Championship medalist and the nation’s recordholder at 500 demi pointe shoes meters, And now that she’s qualified for the 2014 Olympics, the 30-year-old Smith feels that she’s ready to shine on an international stage..
The greatest dancer of his generation is more of a thespian here than anything else but there is still a world of magic to the quality of his movement. The ballet icon’s lithe presence adds electricity to this whimsical deconstruction of two Anton Chekhov stories, “Man in a Case” and “About Love.”. Cheekily adapted by Annie-B Parson and Paul Lazar of the New York-based Big Dance Theater, this delicate 75-minute gem marries the edge of experimental theater with the melancholy of the Chekhovian impulse. While the piece never quite attains the emotional intensity one yearns for with Chekhov, it’s shot through with startling juxtapositions of style and tone that demystify the great Russian playwright. Far less challenging and provocative than last year’s “In Paris,” in which Baryshnikov also starred, this avant-garde exploration of romance and regret runs through Feb. 16 at Berkeley Repertory Theatre.
The famous knock on Chekhov is that nothing happens, People talk, Time passes, Parson and Lazar amplify this sense of everyday ennui to great effect, The actors here engage in their craft without any sense of artifice, At some points the ensemble simply sits around a table, staring at a computer and chatting and one is never entirely certain if it’s part of the narrative or a commentary about theatrical convention, Certainly it’s demi pointe shoes a postmodern approach that reminds us of the illusions of theater, There is no pretext of suspending disbelief..