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As a professional bridesmaid in Role Player Ensemble’s production of “Ruddigore,” she attended six weddings. The way-over-the-top Gilbert and Sullivan comic opera features a trio of professional bridesmaids who follow Rose Maybud (gorgeously voiced by the lovely Sarah Sloan), hoping she will choose a husband so they can get out of those dresses. But Robin, whom Rose fancies, is painfully shy and with a diabolical secret to boot. It seems Robin (a stellar performance by Charles Parker) is really Sir Ruthven Murgatroyd. To escape a witch’s curse, he has faked his own death and assumed another identity, forcing his younger brother (well played by David Auerbach) to take over as the accursed baronet.
Lots of crazy characters keep the action lively, especially Richard Dauntless dance shoes orthotics (a wonderfully athletic James Koponen in an outrageous sailor uniform) and the forlorn Mad Margaret (an exuberant Megan Stetson), A highlight of the performance takes place when the ancestral portraits come off the wall to teach their wayward progeny a lesson, Adding modern touches to the 1887 spoof, director Eric Fraisher Hayes keeps the pacing tight, while music director Marianna Wolff does an admirable job with her eight talented musicians, Hayes also put together a clever design team to support the action — Tom Segal (choreography), Bo Golden (scenic design), David Lam (lighting), Joshua Hardwick (sound), and Lisa Danz (inspired period costumes)..
“Ruddigore” runs through May 10 at Danville’s Village Theatre. Call 925-314-3400 or go to www.roleplayersensemble.com. Written by local playwright, actress and singer Molly Bell, this hilarious spoof follows five women and the men in their lives as they struggle to climb that slippery ladder of social success. Once again, I’m amazed at the talent of Bell, who wrote, directed, choreographed and performs in the show. Sparkling as much as the 4-inch heels she’s wearing, Bell enthralls the audience with her “amazing” life.
Adding their own considerable talents to the mix, Riette Burdick, Lynda DiVito, Danelle Medeiros and Lizzie O’Hara play her gal pals, with Jason Hoover doing an incredible job as the men in their lives, Donning wigs and various accruements, Hoover morphs from one role to another, often without leaving the dance shoes orthotics stage, Michael Butler’s simple stage design, which utilizes a very versatile sectional couch, works wonders in the Knight Stage 3’s intimate space while Michael Berg dazzles with one gorgeous costume (not to mention the requisite oh-so-high heels) after another..
With spot-on vocals and harmonies and clever dance routines, these real housewives are hard to resist. Call 925-943-SHOW or go to www.lesherartscenter.org. Their performance of A.R. Gurney’s popular piece takes place April 25 at 7:30 p.m. and April 27 at 2 and 7 p.m. Presented by the California Independent Film Festival, tickets are $20. Go to www.lamorindatheatres.com for tickets. Seating is limited. Tickets available at the door. For more information on one of Shakespeare’s funniest comedies, email email@example.com.
The collage-style essay interlaces archival footage and stills, from the rare to the invented (the latter in the form of scenes and tableaux that convey the personality and milieu of people for whom there’s no existing footage), Voice-over narration, some of it read by Jena Malone and Ben Whishaw, quotes from anonymous teens’ diary entries and frequently makes obvious rhetorical points, The narrators also give voice to four real people, whose emblematic stories are woven into the cine-tapestry: British flapper, Hitler Youth member, German proto-punk swing fanatic and black Boy Scout, This new footage is meant to look like dance shoes orthotics something out of the vaults, complete with degraded 16-mm film stock, It’s pretty, but its inclusion raises questions that distract from the movie’s subject, However accomplished in terms of design and mood, the real/faux hybrid aspect of “Teenage” doesn’t deepen its thesis..
But as Wolf traces youth culture from 1904 through the atomic blasts ending World War II — from factory drudges to sacrificed soldiers — he gives form to a ghost in the machine of the modern nation. Teen spirit, the film affectingly suggests, is shaped by a keen awareness of mortality. Director Hilla Medalia follows Palestine-born, U.S.-based dance instructor Pierre Dulaine as he inaugurates an ambitious program for Israeli fifth-graders, Muslim and Jewish alike. Her eye-opening, richly observed film takes chances and has a lot of heart, just like the man at its center.
A longtime teacher in New York City schools, Dulaine is at least as charismatic as Antonio Banderas, who played him in the 2006 feature “Take the Lead.”, Returning to his hometown of Jaffa for the first time since 1948, when he was a toddler and his family was forced out by the dance shoes orthotics formation of Israel, Dulaine launches a 10-week program in five schools, only one of which integrates Jews and Muslims, Dulaine insists upon ballroom tradition, and that entails convincing Arab mothers to let boys and girls dance together, Once the kids have overcome their shyness and qualms, he moves on to the larger goal: bringing together students from opposite sides of the political and cultural divide..