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Even so, its coherence and musicality, its witty allusion to various birds in the women’s wonderful feathery skirts and its sweet view of the world as a cheeky but serious interaction of dances and cultures set it apart from Val Caniparoli’s “Tears” world premiere and Wayne MacGregor’s “Borderlands.”. Caniparoli, affiliated with San Francisco Ballet since 1973, is noted for his ability to fuse classical line with sensual, weighted flow. Without pretension, he makes abstract portraits of romance, longing, culture and gender relations via rhythmically driven forms. Even though his men are stereotypical hunks and his women are traditionally elegant, the sexes are well-matched and equally strong. You feel you want to know these people.
“Tears” had many of those attributes but lacked two that are especially vital — the deep correspondence between the movement and the music to the concept at hand — tears, Composer Steve Reich’s “Variations for Strings, Wind and Keyboard” echoed the sound of natural events by creating a wall of pointilistic sensation that subtly, almost imperceptibly shifted, Yet those same phase patterns showed up nowhere in the dance that was clear or had an impact, Caniparoli is a fine craftsman, but here it worked to his disadvantage, The three duets were presented in traditional fashion, and Sandra Woodall’s costuming never broke the ballet mode, Had Caniparoli found a way to push the traditional lyricism of his dance hard against the minimalist soundscape, he might have tied tears not only chacott ballet shoes to individuals but to time, loss and change in a more cogent and haunting way..
Wayne McGregor’s “Borderlands” suffered a similar disconnect between concept and execution. Here the Scottish choreographer, who is resident artist at the Royal Ballet, applied his movement, an ever-deconstructing and squiggling stew that resembles bacteria replicating and breaking apart, to the sublime ideas of simplicity that drove Josef Albers and the Bauhaus. This German art movement dedicated to forging beauty from utility and simplicity was eventually outlawed by the Nazis.
The curtain opens on a black box that turns into an almost vibrating container of white in which a giant black square hangs upstage center, Color and simple geometry for Albers connoted the power of form to link us to the mystical, and Bauhaus explorations influenced the work of such visual artists today as light sculptors James Turrell and Robert Irwin, While MacGregor’s lighting designer Lucy Carter did an estimable job re-creating optic environments of chacott ballet shoes refined and otherworldly greys, purples, sulphurs and other tones, MacGregor upended it with his spastic and fractured vocabulary, These movements showcased the remarkable contortionist abilities of such dancers as Frances Chung, Maria Kochetkova, Jaime Garcia Castilla, and Francisco Mungamba, But after 10 minutes, the dislocations and Gumby action threw us into a planet of extreme, if liquidy rupture..
About 20.4 million Americans practice yoga, according to a survey by Yoga Journal. With that boom in popularity has come an explosion of scholarship — and an exhibit at the Asian Art Museum of San Francisco titled “Yoga: The Art of Transformation,” which continues through May 25. It surveys yoga’s 2,500-year history — a quest for an enlightened mind and supple body that began among wandering Indian ascetics. It is billed as the first major art exhibition on yoga, and the Asian Art Museum is its only West Coast venue.
The exhibit debuted in October in Washington, D.C., at the Smithsonian Institution’s Arthur M, Sackler Gallery, “But it had to go to California,” said Debra Diamond, the show’s chacott ballet shoes organizing curator, who flew out for the opening in San Francisco, “I think the percentage of people who do yoga and care deeply about yoga — it’s the place, Yoga and Indian culture are deeply embedded.”, At the museum, the story is told through sculpture and painting, manuscripts and film, India’s greatest artists have long grappled with yogic themes, it turns out, and the exhibit is a visual feast, It should appeal even to those who don’t tote yoga mats along with their decaf lattes..
Watercolors are brushed with ground gold to shimmering effect. Sculptures of sages and divine figures have hips that appear to sway alluringly. One 13th-century figure drips with snakes that fool the eye; they look more like vines heavy with blossoms, intricately carved. And protruding from his lips are two deadly fangs. “And just look at this beautiful bejeweled woman,” said Qamar Adamjee, the Asian Art Museum’s associate curator of South Asian art, during a preopening tour. She stood before an 11th-century sandstone figure that spells feminine power: “I love this sculpture. See the softness of the belly, and there’s her voluptuous body, and yet she’s holding a sword and a shield, and she has teeth,” more typically associated with demons in Indian art.
This yogini — part mortal, part goddess — sits spread-legged on an owl and is about to take flight, Her pointer fingers are inserted into her mouth as she prepares to emit a war whistle, Historically, yoga has not been only about peace, you see; ancient Indian kings called upon yoginis — embodiments of secret yogic powers — to wage battle and expand their kingdoms, according to legend and belief, chacott ballet shoes Yes, yoga holds out the promise of individual transformation, whether through blissful enlightenment or a beautiful body, But yoga itself has transformed through history, with shifting emphases and meanings..