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“I lost the bet, but Karole knew 20 others that I didn’t know, and we realized it would be possible,” Chatham said. “But I didn’t feel ready. I knew I could get 100 guitarists together and just play ‘Louie Louie’ and everybody would love it, but I really wanted to do something that made use of the sonority that only 100 electric guitars can get.”. In the late 1980s, Chatham was married to a French dancer he had met while touring as a musician and composer with Armitage’s dance company, and he decided to relocate with her to Paris. Working with producer Francis Falceto (best known as an evangelist for the riches of Ethiopian music), he premiered his first 100-guitar composition “An Angel Moves Too Fast to See” in Lyon in 1989.
“I was really frightened the first time we performed it,” Chatham said, “I was able to simulate the sounds of guitars on an Atari S900, and I thought I knew what it would sound like, but I didn’t have a sample of 100 guitars, You can imagine my relief that it actually sounded better than anything I thought.”, Over the years, Chatham has continued to create pieces for huge assemblies of guitarists, including a commission for Paris’ resonant Sacré-Cœur Basilica featuring 123 guitarists and a Lincoln Center outdoor project for 200 guitarists arrayed in capezio dance shoes near me semicircle, “which allowed us to pass sound around from east to west and back,” Chatham said..
For “A Secret Rose,” Other Minds put out the call for guitarists months ago, a summons that attracted an array of professional and semiprofessional players, mostly from the East Bay and San Francisco, but hailing from as far away as Atlanta, New York City, Liverpool, Manchester and Montreal. For Richmond guitarist John Binkov, a conservatory-trained musician who has played a central role in the Bay Area punk scene since his days with the seminal band VKTMS, the piece proceeds as an intriguing sonic journey.
“I like the sense of how it proceeds and evolves, with a glistening timbre here and there,” says Binkov, a longtime professor at Holy Names University, “It ebbs and flows; there’s a sense of accretion, Since Chatham’s been working with guitars for a long time, he recognizes the effects of guitars themselves, When you get capezio dance shoes near me 100 together, they won’t play perfectly in time, There are minute differentiations in rhythms, and you get this really interesting chorusing effect.”..
Leery of giving away too much, Chatham doesn’t like to talk about the piece in detail, but he did discuss about how he employs the ensemble, which is divided into three sections of 33 or 34 players. In one movement, the sections all play in different time signatures that diverge and converge. In another he explores rapid dynamic shifts, suddenly dropping from the full ensemble down to one. “I don’t want to spoil the surprise, but it’s very delicate,” Chatham says. “In this section, we hear what 100 guitars sound like playing quietly.”.
Complicated, cumbersome (it requires darkroom capezio dance shoes near me work on the spot) and potentially hazardous, the collodion process uses raw chemicals in a race against the clock, And that’s why collodion photographers love it so, “There’s something about these hands-on, historical processes, you’re so in control, you’re making your film from scratch, (but) you’re subject to physics and the chemistry, and then you’re trying to make something in your mind’s eye — the composition and lighting — while maintaining this technical finesse,” says Quinn Jacobson, a Denver-based photographer, “There’s great satisfaction in accomplishing that, There’s a level of satiety that you don’t get from working in digital or even film.”..
Collodion portraits and landscape images have fine details but appear dark and moody — even haunting or ghostly. “The aesthetic is kind of a half-remembered dream,” says Jacobson. The process involves coating a surface, usually glass or aluminum, with a mixture of collodion, ether, alcohol and two salts that dries to a tacky, clear film. The collodion is derived from a flammable compound known as guncotton (in other uses, it’s flash paper) dissolved in sulfuric and nitric acids.
The plate is made light-sensitive in a bath of silver nitrate, after which it is exposed to light, The image exposure can take seconds or several minutes, depending on available light and photographer preference, It’s developed and then fixed, or stabilized, in capezio dance shoes near me a solution of potassium cyanide, With longer exposure and an added step, a negative for printing can be made, Of all the chemicals in the process, potassium cyanide is the most dangerous, “A tenth of a gram is enough to kill a horse,” says wedding photographer and collodion fan Matt Alberts, “There’s 18 grams in my fix, That’s kind of scary.”..