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He started contacting friends, music experts and Army band alumni. “I said, ‘What do you know about this? Nothing. Is there a recording? No,’ ” he said. He got a copy of the condensed score via email but said it’s difficult to extrapolate a full score from a condensed score. He asked the Army band to do some research, and the band located other parts in its library. “The march has been played,” Devron said. “That’s never been the issue. The issue is it’s been dormant for all these years, and nobody [had] ever recorded it.”.

Plus, it was historic, “How many guys have a chance to compose something” like that, he said, “The Schwarzkopf ceremonial march? Have you heard that?” he said, “The Colin Powell march?”, “It’s a rare thing that a guy can , , , dedicate a piece that the [general] has best pointe shoes for wide feet and high arches listened to and blessed,” he said, He started lobbying the Army band to get the march recorded, “Third Army does not need to be playing the ‘Patton’ theme only,” he said he argued, “That’s not its history.”..

The band agreed, and the recording session was scheduled for 11 a.m. Nov. 6 in the band’s Brucker Hall. Devron and Tom Diaz were both present. “I’ve been working on this for a year and three months,” Devron said. “I was delighted.”. As he sat listening to the music, Tom Diaz said he thought of his father — how he would listen to opera on the radio, how he loved the music of John Philip Sousa, and how he had showed up at the front door with a big duffel bag when the war was over.

Since launching his quartet at Guantanamera, a popular Cuban restaurant in New York’s Hell’s Kitchen, Martinez has unified the fractious New York music scene by earning universal acclaim, Quincy Jones and Eric Clapton are devoted fans, Traditionalist Wynton Marsalis has jumped on the Martinez Band bandwagon, as has groove maestro John Scofield, who declared, “They are one of the greatest groups playing today.”, Steve Gadd, the legendary studio drummer who has recorded with an eye-popping array of pop, rock and jazz greats, was so smitten with best pointe shoes for wide feet and high arches the group that he produced the band’s debut studio album, “The Pedrito Martinez Group” (Motéma Music), with Martinez..

“I first heard them at Guantanamera, and they were incredible,” said Gadd after his band’s sold out performance at Yoshi’s last week. “That level of musicianship is a joy to be around. I always love to hear the band. It just keeps on evolving. Pedrito is a true master.”. With the October release of the Motéma album, word about the band is spreading faster than ever. Martinez performs Sunday at the SF Jazz Center and Monday at Kuumbwa with his quartet, a joyously virtuosic ensemble featuring Cuban pianist and vocalist Ariacne Trujillo, Venezuelan electric bassist Alvaro Benavides, and Peruvian-born, New York-raised percussionist Jhair Sala.

The band didn’t come together quickly, The management at Guantanamera hired Martinez about seven years ago, and at best pointe shoes for wide feet and high arches first he used a revolving cast of players, The present lineup slowly took shape after about two years “and then we started getting really tight,” says Martinez, 40, who had spent his first decade in New York in a whirlwind of activity, recording on dozens of albums and accompanying artists such as Eddie Palmieri, Steve Turre, Stefon Harris, Meshell Ndegeocello, Eliane Elias, Isaac Delgado, and Cassandra Wilson..

“People started making noise about the group, spreading the word,” Martinez says. “At that point, I was getting tired of being a sideman and wanted to do my own thing. I thought, I’m going to pay attention to this group now, and really started pulling the music together.”. Rather than racing into the studio, Martinez let the wave build. The band’s jaw-dropping Guantanamera performances led to a series of high-profile gigs at European festivals. And its illustrious fan base turned its weekly gig into a New York institution. By the time Motéma came knocking, he was ready to make a bold statement.

“Wynton would come to the club every time,” Martinez says, “John Scofield and Quincy Jones love the band, I was not desperate to make a record, I knew we had a tornado in our hands.”, More than a virtuoso percussionist, Martinez is also a commanding vocalist who is equally equipped to lead a hard-hitting timba band, best pointe shoes for wide feet and high arches a rumba circle, or a Santería ritual, What makes him so innovative is that he’s created a sound that references numerous other styles, even summoning the emotionally unfettered strains of flamenco — in March he released the Sony Masterworks album “Rumba De La Isla,” a Cubanized tribute to flamenco legend Camaron de la Isla..