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‘Everybody was emulating Miles’. Sam Charters: [It was] the great golden, shining moment of modern jazz. We went to a little cafeteria on Greenwich Avenue, pay a buck for a beer and there was the original Miles Davis Quintet. Charlie Mingus was playing at the old Five Spot, it was just everywhere in town. Jazz musicians were hanging out with folk musicians, folk musicians were hanging out with painters, everyone was drinking a lot and we felt that we were in this damn thing together.
D.A, Pennebaker: Folk music, I had no idea about it, Because we were much more sophisticated, We were listening to Bunny Berigan and Benny Goodman, , , , So in 1965 when Albert Grossman asked me to come make a film about Dylan, I didn’t know much best latin dance shoes about Dylan at all, Kenneth H, Brown: I used to go to the Cafe Bohemia on Barrow Street and I heard the best jazz ever made in there, That’s where the Miles Davis Quintet played with Coltrane, Everybody was emulating Miles, so you had to wear dark suits and you never sat down because you didn’t want the crease to go out of your pants..
D.A. Pennebaker: There were a couple of places downtown, one called Nick’s [Steakhouse] and the Stuyvesant Casino. And jazz bands from New Orleans would appear there and everybody would go. You bought a pitcher of beer for a dollar-and-a-half and you danced all night. Sam Charters: The folk scene was a way of approaching our society. Yes, we sang folk songs, but it was part of an opening to what made life exciting at that moment. Barbara Rose: If Thelonius Monk was playing, I was going. And of course Larry Rivers played jazz saxophone. [The jazz world] was a black world. Just being with a black person was avant-garde. The Village [folk] scene seemed sophomoric, like a bunch of white kids. Very square.
‘It was always political’, Sam Charters: We best latin dance shoes were all committed in one way or another, How many demonstrations did we do to get Pete Seeger on TV? It was all part of the view that America should change, We didn’t sing “On Top of Old Smoky” because it was a great song, we sang it because we wanted change, Kenneth H, Brown: We were always out in the street demonstrating and getting arrested, , , , We were always putting on a play, going to a demonstration or getting someone out of jail..
Ann Charters: It was always political. And politics included sexual liberation and contraceptive advice. We’re talking about a repressive and puritanical society that was denying contraception advice unless you were wearing a wedding ring. . . . Dave [Van Ronk] had a huge glass jar filled with diaphragms of all sizes, so take your pick. In the cold water flat on MacDougal Street that he shared with Sam [in 1958], I was astonished to visit them and see this huge jar very prominently displayed on the sink.
Barbara Nessim: I best latin dance shoes was one of the few women illustrators working in 1960, When I went out with my portfolio in the beginning, guys would want to know, “Why aren’t you getting married?” They couldn’t believe that this was something I really wanted to do, And how you deflected it was important, because you still wanted to get work, P, Adams Sitney: For my gay friends, it was like the beginning of the universe, Because suddenly, [we saw] openly gay artists like Warhol and Jack Smith and Cage and Cunningham, Johns, Rauschenberg..
‘She started to sing, and I started to cry’. Robert Redford: John Hubley was doing things in animation, Charlie Byrd I went to see. . . . I didn’t see Dylan. I missed him. But [I did see] Barbra, she was before Dylan. What was the name of that place down in the Village? It started with an ‘S,’ a small little club. And she was just a kid. We’d just go out to see new people and so forth, and there she was. And I said, Wow. New York was fabulous in those days. Dustin Hoffman: Streisand was going to the same acting school I was, and I was [dating] her roommate. And she said, Barbra’s going to be on TV this Friday, she’s going to be on this local show with Mike Wallace. I turn it on, and I remember Wallace is interviewing her and she was kind of aggressive. She was sitting on a stool chewing probably five wads of gum. And I thought she was playing the Brooklyn accent more strongly than usual, she was going for an image, and kind of trashing the whole idea of the show. And finally he says, “Are you gonna sing something?” And she takes this wad of gum, I remember she put it underneath the stool. And she started to sing, and I started to cry. It was magical.
‘It was a great time to be poor’, P, Adams Sitney: For many of us, the cheapest place to eat was the Belmore Cafeteria, at Park Avenue South around 28th Street, Vegetables were 15 cents apiece, you could get a heaping plate for 45 cents and make best latin dance shoes your own lemonade by squeezing lemons into seltzer water and putting the free sugar into it, Robert Benton: In the early 1960s, I lived on 56th Street between First and Second avenues, then on 82nd between Park and Madison, Right across from me was Lillian Hellman, and next to that there was a home for unwed mothers, , , , There was a sense of romance about living in New York, There were less billionaires per square foot, And that changes the atmosphere of a city..