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AAUW Authors Luncheon: A a benefit book signing for AAUW Funds by Bo Caldwell, author of “Distant Land of My Father” and “City of Tranquil Light”; Audrey Lynch, author of “The Development of Roy Simmonds as a Steinbeck Scholar as Evidenced Through His Letters” and several other Steinbeck books; and Marcia Kemp Sterling, author of “One Summer in Arkansas.” Jan. 23, 11 a.m. La Rinconada Country Club, 14597 Clearview Drive, Los Gatos. $55; reservations required by Jan. 15 to Judy Borlase, 1660 Hyacinth Lane, San Jose, CA 95124. For more information, contact Geri Williams at 408-642-5042.
Sale-ing into 2014: Bargains in artwork including paintings, photography, drawings, jewelry, clothing, ceramics, glass art and art cards, Through Jan, 26, Aegis Gallery of Fine Art, 14531 Big Basin Way, Saratoga, Wednesday, 11 a.m.-3 p.m., Thursday-Sunday, 11 a.m.-6 p.m, 408-867-0171, aegisgallery.com, Saratoga’s Got Talent: An opportunity for all Saratogans to share their talent and have a good baby ballet slippers time, Live musical performances, dance, karaoke, stand-up comedy and more–just about anything goes, Kids perform the first hour, and adults after, Every month has a different theme, anchored by a Saratoga High School team, Third Friday of each month, 7-10:30 p.m, Blue Rock Shoot, 14523 Big Basin Way, Saratoga, Check for event updates at facebook.com/ValleyTalent or subscribe to the email group, groups.google.com/group/ValleyTalent, saratogatalent.com..
California Apricots: The Saratoga Historical Foundation presents a free lecture on “California Apricots–The Lost Orchards of Silicon Valley.” Author Robin Chapman traces the history of the apricot and ties it with the time period when the Silicon Valley was the leading apricot producer. Chapman’s book can be purchased after the event, and she will autograph all copies. Jan. 21, 7:30 p.m. Immanuel Lutheran Church reception hall, 14103 Saratoga Ave., Saratoga. saratogahistory.com.
Fruit Trees for Year-Round Harvest: baby ballet slippers Master gardener Nancy Garrison explains the basics of growing and cultivating fruit trees, and which varieties are most productive in our region, Jan, 21, 6 p.m, Saratoga Library, 13650 Saratoga Ave., Saratoga, 408-867-6126, Sleep and Health Program: Dr, Eddie Cheng and Kristina Liu discuss the causes and treatments for insomnia and obstructive sleep apnea, The presentation is followed by a Q&A session, Jan, 25, 10:30 a.m, Saratoga Library, 13650 Saratoga Ave., Saratoga, 408-867-6126..
The ballet legend has long had a love for breaking new ground in postmodern dance and experimental theater circles. Last year, Berkeley Rep audiences watched him tread the boards in the elegant Ivan Bunin romance “In Paris.” Now he’s starring in a melancholy double bill inspired by two Chekhov short stories about love, loss and loneliness. Baryshnikov has been steeping in Chekhov ever since he was a little boy growing up in Riga, Latvia. He famously defected to the West in 1974 and became the toast of both the New York City Ballet under Balanchine and American Ballet Theatre. But Chekhov has always been part of his soul.
“The great Russian writers capture the universality of human experience, the tragedy of life, the beauty baby ballet slippers of it,” says the dancer turned actor in his lyrical Russian accent, “It’s all there in Chekhov.”, Of course, the Oscar-nominated Baryshnikov, 65, has long been a Hollywood star (from “The Turning Point” to “Sex in the City”), but he simply can’t resist the joys of the theater, “There is nothing like it,” he says, “The theater pushes you into a very dark place in your mind.”..
A veteran of the spotlight, he also craves the high-wire act of live performance. “I love it because it scares me. Every time I step onstage, I get the same empty stomach, the same butterflies. You have to live up to the material, to do it justice.”. He’s also a huge fan of the Berkeley Rep audience and its embrace of the avant-garde. “I had a great time there, because the audience is very diverse and very vibrant, which is what we need,” he says. “Experimental theater demands the participation of the audience. It’s a very complex process, a deconstruction of the text, and the audience has to welcome that level of complexity.”.
If Hollywood is usually dedicated to entertainment, the theater remains largely the realm of art, a stance which suits the ballet icon’s aesthetic, “I can’t imagine what my life would be without art; it terrifies me baby ballet slippers to think about it,” he says, “Life would be bloodless and senseless without it.”, Misha, of course, is far from the only big-screen star who has graced Bay Area stages on a regular basis, Here’s a roundup of recent performances that have kept local audiences star-struck..